01The Pinboard

Haute Couture

Community designs matching “Haute Couture” — generated with FashionDesign.ai.

DenimKnitwearTailoringAthleisureCottagecoreGorpcoreResort WearWorkwearGrungePreppyGothicParisian
A Female Activewear design, in Y2K style. Female fashion croquis in a runway walking pose with an exaggerated hourglass silhouette, tiny waist, long legs, and a sleek high bun hairstyle. TOP: A fitted halter-neck corset top. Two thin straps rise from the outer bust and connect behind the neck. The bust is formed by a large symmetrical bow made from gathered fabric. The bow has a tight center knot with visible pleating radiating outward on both sides. The neckline creates a soft sweetheart shape. The bodice is skin-tight and heavily waist-cinching, ending just above the hips. WAIST DETAIL: Three separate crystal-studded belts wrap diagonally around the low hip area. The belts overlap each other, creating an asymmetrical layered sash effect. Each belt is fully covered in small rhinestone embellishments. BOTTOM: The base is a high-cut fitted bodysuit. Attached beneath the crystal hip belts are extremely oversized baggy trousers. The legs are very wide, dramatic, and voluminous, creating a palazzo-pant effect. The fabric is fluid and draped with soft vertical folds. The center front is completely open from the hips downward, exposing both legs while the oversized trouser panels hang from each side. FOOTWEAR: High-top lace-up sneakers with a rounded toe and slightly chunky sole. The sneakers are visible beneath the open-front trousers. AESTHETIC: Luxury streetwear, Y2K glamour, runway couture, feminine but edgy, rebellious baddie fashion, sporty-meets-glamorous styling. Clean fashion illustration, black line art, professional fashion sketch, white background, minimal shading, highly detailed garment construction. IMPORTANT: Keep the bow exactly centered on the bust, keep the three rhinestone belts overlapping diagonally on the hips, keep the trousers extremely baggy and floor-length, keep the center front fully open, and keep the high-top sneakers visible. Maintain the exact proportions and silhouette of a professional fashion croquis.. Nigeria fashion aesthetics. Design with modest coverage.

A Female Activewear design, in Y2K style. Female fashion croquis in a runway walking pose with an exaggerated hourglass ...

A Female fashion design. Female fashion croquis in a runway walking pose with an exaggerated hourglass silhouette, tiny waist, long legs, and a sleek high bun hairstyle. TOP: A fitted halter-neck corset top. Two thin straps rise from the outer bust and connect behind the neck. The bust is formed by a large symmetrical bow made from gathered fabric. The bow has a tight center knot with visible pleating radiating outward on both sides. The neckline creates a soft sweetheart shape. The bodice is skin-tight and heavily waist-cinching, ending just above the hips. WAIST DETAIL: Three separate crystal-studded belts wrap diagonally around the low hip area. The belts overlap each other, creating an asymmetrical layered sash effect. Each belt is fully covered in small rhinestone embellishments. BOTTOM: The base is a high-cut fitted bodysuit. Attached beneath the crystal hip belts are extremely oversized baggy trousers. The trousers begin at the hips and fall straight to the floor. The legs are very wide, dramatic, and voluminous, creating a palazzo-pant effect. The fabric is fluid and draped with soft vertical folds. The center front is completely open from the hips downward, exposing both legs while the oversized trouser panels hang from each side. The side seams fall vertically from the hips to the floor. FOOTWEAR: High-top lace-up sneakers with a rounded toe and slightly chunky sole. The sneakers are visible beneath the open-front trousers. AESTHETIC: Luxury streetwear, Y2K glamour, runway couture, feminine but edgy, rebellious baddie fashion, sporty-meets-glamorous styling. Clean fashion illustration, black line art, professional fashion sketch, white background, minimal shading, highly detailed garment construction. IMPORTANT: Keep the bow exactly centered on the bust, keep the three rhinestone belts overlapping diagonally on the hips, keep the trousers extremely baggy and floor-length, keep the center front fully open, and keep the high-top sneakers visible. Maintain the exact proportions and silhouette of a professional fashion croquis.. Nigeria fashion aesthetics. Design with modest coverage.

A Female fashion design. Female fashion croquis in a runway walking pose with an exaggerated hourglass silhouette, tiny ...

“Create an image Collection title: “Plasticity of the Wind” 🌬️ Create a collection of 10 women’s designer fashion sketches titled “Plasticity of the Wind.” The collection style is modern high fashion with elements of romantic minimalism, artistic asymmetry, and airy fabric movement. The main concept of the collection is to express wind through clothing: flowing fabrics, fluid lines, light silhouettes, and a sense of freedom. Every look should appear as if the fabric is constantly moving and interacting with the air. The collection should feel highly aesthetic, refined, luxurious, and artistic — like a conceptual couture runway collection. Main characteristics of the collection: flowing silhouettes asymmetrical cuts soft draping layering fluid lines flowing fabrics air movement effect long fluttering elements uneven hems sculptural yet soft forms airy volume a sense of fluidity and freedom The clothing must not look heavy, strict, or rigid. Avoid harsh geometry, bulky structured forms, and office-style fashion. Fabrics: Use light and fluid materials such as: chiffon organza silk lightweight satin tulle crepe semi-transparent fabrics soft draped knitwear The fabrics should appear airy, semi-transparent, and dynamic. Color palette: Soft natural and airy shades: milky white pearl white smoky gray light beige ash blue silver lavender sand sky blue fog and sky tones Soft gradients, transparency, and smooth color transitions are welcome. Collection mood: freedom air fluidity femininity poetic atmosphere lightness movement wind aesthetics softness emotional elegance The collection should evoke the feeling of wind, dancing fabric, and gentle movement. Image and presentation style: The images must NOT be photorealistic. The collection should look like hand-drawn designer fashion sketches created by a real person. The art style should resemble sketches made in ibisPaint, Procreate, Clip Studio Paint, or other digital fashion illustration apps. Required style: hand-drawn rendering slightly imperfect lines expressive sketch strokes sketch aesthetic elongated fashion model proportions minimally detailed faces watercolor or marker-like textures soft artistic presentation authentic designer sketchbook feeling professional fashion illustration style The main focus must be on the clothing, fabric, silhouettes, and movement. Avoid: photorealism realistic skin hyperrealism AI photo style 3D render cinematic realism detailed realistic skin realistic faces heavy body proportions stiff silhouettes” “Make sure all the designs are clearly different from one another and not repetitive. Each of the 10 looks should have its own unique silhouette, construction, layering, draping, and interpretation of the wind-inspired concept while still feeling cohesive as one couture collection. Place all 10 fashion sketches together in a single image composition in a 16:9 format. The presentation should resemble a professional high-fashion designer collection board or runway concept sheet, with balanced composition, elegant spacing, and a visually cohesive artistic layout. The sketches should vary in: silhouette garment structure draping style layering sleeve design hem shapes movement direction fabric flow proportions styling details Avoid duplicated poses, repeated outfit structures, or designs that look too similar to each other.”

“Create an image Collection title: “Plasticity of the Wind” 🌬️ Create a collection of 10 women’s designer fashion sketc...

A Female Dress design, suitable for Summer. Full-body high-fashion fashion illustration, front view, clean white background, black-and-white pencil sketch, luxury streetwear aesthetic, edgy and savage feminine style. Model with an extremely snatched waist, long legs, slim athletic figure, confident runway pose, sleek high bun hairstyle, sharp facial features, full lips, dramatic eyeliner, fashion sketch proportions. TOP: Structured halter-neck corset top with thin straps around the neck. The corset is fitted and sculpted, emphasizing the waist. Straight hemline across the bottom (not pointed, not V-shaped, not curved). The corset ends exactly around the belly-button level, exposing a small section of the lower stomach. Center chest features a gathered bow-inspired fabric detail that looks like real ruched fabric rather than an actual bow. Visible corset seams, boning lines, and panel construction. Material appears matte cotton-satin or matte structured fabric, not shiny. WAIST: Very small, cinched waist creating a strong hourglass silhouette. Visible gap between corset hem and trouser waistband showing part of the stomach and belly button. BELTS: Three layered diagonal belts crossing the hips from one side to the other. Belts are stacked and slightly loose, creating an urban luxury streetwear vibe. Studded and textured details. TROUSERS: Extremely oversized baggy trousers. Extra volume from hips to ankles. Wide balloon-leg silhouette with dramatic folds, gathers, and fabric pooling around the shoes. Streetwear-inspired fit with deep creases and soft draping. Waistline sits low on the hips beneath the corset. Fabric appears lightweight and flowing but structured enough to hold shape. FOOTWEAR: Chunky high-top sneakers partially hidden beneath the oversized trouser hems. STYLE: Luxury streetwear, Y2K fashion, baddie aesthetic, fashion week concept sketch, designer runway illustration, highly detailed linework, professional fashion drawing, elegant but rebellious, feminine yet edgy, clean pencil rendering, realistic fabric folds, couture-level fashion illustration.. Nigeria fashion aesthetics. Design with modest coverage.

A Female Dress design, suitable for Summer. Full-body high-fashion fashion illustration, front view, clean white backgro...

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — and then it absolutely dominates the space . The bodice is structured and architectural. It’s a corset silhouette with defined cup seams, almost vintage lingerie-inspired but elevated. The color shifts between muted sage green and a silvery pistachio depending on the light. The boning lines are visible — not harsh, but deliberate — giving it that disciplined, cinched waist energy. Along the neckline there’s a delicate trim, subtle, possibly beaded or finely stitched, giving it a whisper of ornamentation rather than loud sparkle. The sleeves are barely sleeves — more like soft explosions of blush-toned tulle perched on the shoulders. They puff outward in airy clouds, translucent and weightless, like someone froze a sigh mid-air. They contrast beautifully with the structured bodice: discipline meeting softness. Then the skirt. The skirt is where things become theatrical. It cascades in layers of sage green tulle, but it’s not a simple layered ball gown. The underskirt erupts into massive, spiraling ruffles edged in a champagne-blush satin. These ruffles curl and fold like ocean waves caught in slow motion. They are dramatic and sculptural, not floppy — they hold shape, they command attention. The champagne edging catches the light differently than the matte sage tulle, creating this constant interplay between sheen and softness. The front of the skirt lifts slightly to reveal the architectural ruffle work beneath — almost like a theatrical curtain being pulled back. The back extends into a subtle train, not aggressively long, but enough to feel ceremonial. The hemline ripples. Every edge seems intentionally finished, nothing raw, nothing accidental. On the arms, there are what appear to be pearl or bead-embellished gloves or arm sleeves. They’re translucent and studded, like someone dipped mesh in constellations. That detail pushes it from “romantic ball gown” into something editorial — almost couture fantasy. Color-wise, the palette is restrained but emotionally rich: muted sage green, dusty blush, champagne satin. No harsh contrast. Everything feels aged slightly, like it belongs in a grand old European opera house or in a painting where the varnish has mellowed over time. The overall silhouette is exaggerated hourglass at the top and then pure drama below. It’s not modern minimalist. It’s not bridal in a traditional sense. It feels like a cross between Marie Antoinette, a forest nymph, and a high-fashion runway piece that costs more than a house. This is not a dress you wear casually. This is a dress you arrive in. It suggests chandeliers, marble floors, orchestral swells, and people turning their heads before they even realize why. It’s romantic but not sweet. Soft but not weak. A gown that understands drama without screaming for it.

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — an...

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — and then it absolutely dominates the space . The bodice is structured and architectural. It’s a corset silhouette with defined cup seams, almost vintage lingerie-inspired but elevated. The color shifts between muted sage green and a silvery pistachio depending on the light. The boning lines are visible — not harsh, but deliberate — giving it that disciplined, cinched waist energy. Along the neckline there’s a delicate trim, subtle, possibly beaded or finely stitched, giving it a whisper of ornamentation rather than loud sparkle. The sleeves are barely sleeves — more like soft explosions of blush-toned tulle perched on the shoulders. They puff outward in airy clouds, translucent and weightless, like someone froze a sigh mid-air. They contrast beautifully with the structured bodice: discipline meeting softness. Then the skirt. The skirt is where things become theatrical. It cascades in layers of sage green tulle, but it’s not a simple layered ball gown. The underskirt erupts into massive, spiraling ruffles edged in a champagne-blush satin. These ruffles curl and fold like ocean waves caught in slow motion. They are dramatic and sculptural, not floppy — they hold shape, they command attention. The champagne edging catches the light differently than the matte sage tulle, creating this constant interplay between sheen and softness. The front of the skirt lifts slightly to reveal the architectural ruffle work beneath — almost like a theatrical curtain being pulled back. The back extends into a subtle train, not aggressively long, but enough to feel ceremonial. The hemline ripples. Every edge seems intentionally finished, nothing raw, nothing accidental. On the arms, there are what appear to be pearl or bead-embellished gloves or arm sleeves. They’re translucent and studded, like someone dipped mesh in constellations. That detail pushes it from “romantic ball gown” into something editorial — almost couture fantasy. Color-wise, the palette is restrained but emotionally rich: muted sage green, dusty blush, champagne satin. No harsh contrast. Everything feels aged slightly, like it belongs in a grand old European opera house or in a painting where the varnish has mellowed over time. The overall silhouette is exaggerated hourglass at the top and then pure drama below. It’s not modern minimalist. It’s not bridal in a traditional sense. It feels like a cross between Marie Antoinette, a forest nymph, and a high-fashion runway piece that costs more than a house. This is not a dress you wear casually. This is a dress you arrive in. It suggests chandeliers, marble floors, orchestral swells, and people turning their heads before they even realize why. It’s romantic but not sweet. Soft but not weak. A gown that understands drama without screaming for it.

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — an...

Dream Wedding Dress Design The gown is crafted in a pure, luminous white lace, delicately embroidered with shimmering diamonds and Swarovski crystals that scatter light like a constellation across the entire torso. Around the bodice and waist, the lace is adorned with hand-sewn embellishments of diamonds and Boymans crystals, creating a radiant armor of sparkle that feels both regal and ethereal. The neckline plunges into a heart-shaped silhouette, low-cut at the bosom, perfectly structured with a corseted design that doesn’t just cinch the waist but sculpts the entire torso, creating an elegant hourglass effect. The corset is layered with sheer lace panels, offering a sensual semi-transparent effect that feels both daring and sophisticated. The sleeves are long and fitted to the wrist, crafted from fine lace embroidered with crystal vines, giving the illusion that diamonds are delicately climbing along the bride’s arms. The skirt cascades into an opulent long cathedral train, made of layered tulle and lace. The hemline sparkles with beaded crystal edges that catch the light with every step. Along the train, dramatic oversized bows flow down in a waterfall effect, each bow embroidered with tiny crystals for a whimsical yet regal touch. The veil is impossibly long, trailing far behind the train, made of sheer gossamer lace, with hand-beaded diamonds scattered throughout as if the bride is walking beneath a veil of stars. The veil pools onto the floor, blending seamlessly with the train for a breathtaking, otherworldly aura. The skirt’s bottom layers are semi-sheer, revealing the faintest silhouette of the bride’s legs through sparkling lace appliqués, adding a touch of sensuality beneath the gown’s majesty. The bride herself is envisioned as a stunning Black woman with radiant skin and a sleek pixie cut, the short hairstyle contrasting elegantly against the extravagance of the dress and drawing attention to her glowing face. The simplicity of the pixie cut ensures the dress and jewels shine, while also symbolizing modern confidence and grace. The final effect is a gown that feels like it was spun from starlight and diamonds, merging luxury couture with an almost celestial beauty — a dress that makes the bride appear not just as a queen, but as a goddess

Dream Wedding Dress Design The gown is crafted in a pure, luminous white lace, delicately embroidered with shimmering di...

Robe Caftan Modernisée • Silhouette: A long mermaid gown that hugs the body before flaring out. It features a subtle slit on the side (مفتوحة شوية من الجنب). • Fabric & Color: Luxurious, soft emerald green (\text{vert émeraude}) satin that drapes elegantly and has a rich sheen. • Beldi Touch: Minimalist Sfifa and 3a9ad (small buttons) in fine gold are strategically placed only along the trim of the shoulder and the neckline (\text{الطروط ديال الكتف والصدر}), keeping the overall look sleek and modern. 2. Ensemble Tailleur Beldi • Silhouette: A sophisticated suit (\text{tailleur}) combination. The trousers are high-waisted (\text{taille haute}) and slightly wide-legged (\text{واسع شوية}). The jacket is fitted (\text{cintrée}) and tailored. • Fabric & Color: A soft, textured crêpe fabric in a neutral beige or ecru color. • Beldi Touch: Delicate Fassi embroidery (\text{broderie fassi/khiyate}) details are applied to the sleeves (\text{الكمام}) and the chest/lapel area (\text{الصدر ديال veste}) of the jacket, adding an artisanal, traditional contrast to the sharp tailoring. 3. La Robe Cocktail à la Touche Zellige • Silhouette: A classic A-line midi dress that falls just below the knee (\text{تحت الركبة}). • Fabric & Color: Light, flowing midnight blue (\text{bleu nuit}) mousseline (chiffon). • Beldi Touch: Intricate Zellige-inspired patterns are created using fine (\text{دقيقة}) broderie (embroidery) and strategically applied to the waistband (\text{الحزام}) and the collar/neckline (\text{الياقة}), resembling delicate mosaic work against the dark fabric. 4. Jellaba Chic Fendue • Silhouette: A modern layered look. A long Jellaba that is split down the center (\text{مفتوحة من الوسط}) to reveal a short dress (\text{robe courte}) worn underneath. • Fabric & Color: Light black velvet (\text{velours noir خفيف}) for a luxurious yet wearable feel. • Beldi Touch: The edges of the Jellaba are trimmed with silver Sfifa. It includes a small hood (\text{capuche صغيرة}) for a stylistic nod to the traditional Jellaba cut. 5. Robe Asymétrique Beldo-Chic • Silhouette: A contemporary asymmetrical dress (\text{asymétrique}) where one side is long and the other is short (\text{Robe d’un côté longue والآخر قصير}). • Fabric & Color: Soft, flowing powder pink (\text{rose poudré}) satin. • Beldi Touch: The key detail is T9achir (hand-beading/perlage), which is inspired by the intricate work on a traditional \text{Takchita}. This beading is applied to a thin, delicate belt (\text{حزام رقيق}) that cinches the waist.

Robe Caftan Modernisée • Silhouette: A long mermaid gown that hugs the body before flaring out. It features a subtle sli...

Haut * Costume noir, anthracite ou crème * Chemise ouverte de quelques boutons * Manteau long en laine ou cachemire * Col roulé noir en hiver Bas * Pantalon de costume légèrement ample * Coupe impeccable, jamais trop serrée Chaussures * Mocassins en cuir * Derbies élégantes * Bottines Chelsea Accessoires * Montre raffinée * Bague chevalière * Lunettes de soleil sobres * Chaîne discrète plutôt que très voyante Palette de couleurs * Noir * Charbon * Crème * Beige * Marron foncé * Bordeaux L’attitude Le principe est de paraître : * Puissant * Calme * Sophistiqué * Intimidant par la présence plutôt que par l’excentricité Version ado inspirée “mafia chic” * Pantalon noir droit * Chemise noire ou blanche * Veste de costume déstructurée * Mocassins ou sneakers minimalistes * Montre élégante * Coupe de cheveux nette

Haut * Costume noir, anthracite ou crème * Chemise ouverte de quelques boutons * Manteau long en laine ou cachemire * C...

Costume croisé homme très fashion avec le haut du costume légèrement court qui s’arrête au niveau de la taille et un pantalon légèrement évasé sur le bas dans le style années 70

Costume croisé homme très fashion avec le haut du costume légèrement court qui s’arrête au niveau de la taille et un pan...

I. TINH THẦN CỐT LÕI 1. Đối xứng tuyệt đối nhưng không an toàn. Trang phục phải tạo cảm giác như một tượng điêu khắc sống. Cân bằng hoàn hảo, nhưng có sức ép thị giác. 2. High fashion cấp S • Mỗi đường cắt phải có lý do. • Không có chi tiết trang trí thừa. 3. Độc bản Không giống runway thương mại. Không giống đồ biểu diễn đại trà. 4. Hiệu ứng thị giác • 3 giây đầu: thấy cấu trúc đối xứng rõ ràng • 5 giây sau: phát hiện các lớp vật liệu lạ 5. Nam tính – phi giới tính Cơ thể là trung tâm. Trang phục tôn hình thể, không che giấu hoàn toàn. ⸻ II. NGUYÊN TẮC ĐỐI XỨNG Ngược hoàn toàn với hệ A. 1. Cân bằng 50/50 Hai bên phải có cấu trúc tương ứng. 2. Đối xứng có thể đến từ • hình khối • đường cắt • panel • chất liệu • chiều dài 3. Nếu nhìn lệch → phải chỉnh lại Đây là hệ cân bằng tuyệt đối. 4. Tuy nhiên: Các lớp vật liệu vẫn có thể khác nhau về texture nhỏ, nhưng hình khối tổng thể phải đối xứng. ⸻ III. BẢNG MÀU CHUẨN PHẤN (GIỮ NGUYÊN) Bảng màu không thay đổi: Vàng • vàng cháy khói • vàng cổ • vàng xước Bạc • bạc oxy hóa • bạc xước • bạc thép lạnh Hồng • hồng pastel lạnh • hồng khói Xanh • xanh petrol • xanh rêu khô • xanh midnight Tím • tím rượu • tím khói Đỏ • đỏ burgundy • đỏ gạch Trắng • trắng xi măng • trắng ngà xỉn Đen • đen khói • đen than Cấm • neon • chrome bóng • kim tuyến ⸻ IV. CẤU TRÚC TRANG PHỤC Hệ B vẫn phải có kiến trúc nhưng trật tự hơn. 1. Layer rõ ràng Ví dụ: • lớp giáp ngoài • lớp vải mềm • lớp cấu trúc 2. Hình học rõ ràng Có thể dùng: • hình chữ V • hình chữ A • cấu trúc armor 3. Chất liệu đối lập Mềm + cứng Ví dụ: • neoprene + organza • da lộn + kim loại xước • len thô + lưới kim loại ⸻ V. ÁO / THÂN TRÊN Khác hệ A: • vai hai bên cân bằng • cổ áo có cấu trúc rõ Có thể dùng: • cổ dựng đối xứng • cổ armor • cổ điêu khắc Không dùng: • cổ tròn basic • áo thun đơn giản ⸻ VI. GĂNG TAY Quy tắc GIỮ NGUYÊN: • chỉ thiết kế từ cổ tay • không thiết kế bàn tay Nhưng: • hai bên giống nhau • cùng chất liệu • cùng cấu trúc ⸻ VII. QUẦN / CHÂN Khác hệ A: • hai ống giống nhau • cấu trúc rõ ràng • form điêu khắc Nhưng vẫn phải: • có panel kiến trúc • có layer Không được: • quần runway thương mại • quần jean bình thường ⸻ VIII. BOOTS Phần này GIỮ NGUYÊN 100% Boots của Phấn phải: • cao cổ hoặc quá gối • ôm chân • mũi nhọn • đế nặng Chất liệu: • kim loại xước • da mờ • da lộn Không: • chrome bóng • gót quá mỏng ⸻ IX. TRANG SỨC Quy tắc giữ: • thiết kế riêng cho từng bộ Nhưng hệ B: khuyên tai thường đối xứng Có thể: • hai bên giống nhau hoặc • một khối kiến trúc chia đôi ⸻ X. VÒNG CỔ Hệ đối xứng ưu tiên: • collar kim loại • vòng cổ dạng giáp • cấu trúc chữ V Trang sức gắn với kiến trúc áo. ⸻ XI. CHẤT LIỆU Ưu tiên: • neoprene • da lộn • kim loại xước • organza khói • lưới kim loại • composite Không dùng: • satin bóng • kim tuyến • vinyl bóng ⸻ XII. HIỆU ỨNG THỊ GIÁC Outfit phải tạo cảm giác: • tượng sống • chiến binh couture • kiến trúc di động Không phải: • performer costume • fashion show thương mại ⸻ XIII. TIÊU CHÍ DUYỆT Trước khi chốt: 1. Có đối xứng hoàn hảo không? 2. Có high fashion không? 3. Có nam tính không? 4. Có độc bản không? Nếu: • nhìn giống runway thương mại → loại • nhìn quá dễ hiểu → làm lại • nhìn giống một tác phẩm điêu khắc → duyệt ⸻ ✨ Tóm lại Phấn sẽ có 2 hệ thiết kế song song HỆ A bất đối xứng cực đoan 70/30 – 90/10 HỆ B đối xứng kiến trúc

I. TINH THẦN CỐT LÕI 1. Đối xứng tuyệt đối nhưng không an toàn. Trang phục phải tạo cảm giác như một tượng điêu khắc s...

Un ensemble stylee jupe et haut

Un ensemble stylee jupe et haut

Crop top that says I hate people

Crop top that says I hate people

Costume

Costume

I don't hate I just don't like you

I don't hate I just don't like you

Un haut gris pailletée décolleté pour taille s

Un haut gris pailletée décolleté pour taille s

A shirt that says i hate that people, white pants and Nike shoes

A shirt that says i hate that people, white pants and Nike shoes

Tactical suit. Long sleeves t shirt. Purple sleeves and black chest. Black long trousers. Black gloves with purple palm of the hands. Sport shoes. Black balaclava with two purple lines perpendicular to the eyes

Tactical suit. Long sleeves t shirt. Purple sleeves and black chest. Black long trousers. Black gloves with purple palm ...

Tropical, regatta, water, sports bikini, checkered flags

Tropical, regatta, water, sports bikini, checkered flags

Regatta body costume

Regatta body costume

đây là concept thiết kế của tôi : SÁNG TÁC TRANG PHỤC DẠ HỘI CHO NỮ THANH NIÊN ĐỘ TUỔI TỪ 18 – 25 DỰA TRÊN NGHIÊN CỨU TRANH CỦA KANDINSKY, đây là một số thiets kế của tôi nhưng chưa đạt yêu cầu, hãy thiết kế lại cho tôi với đề tài " SÁNG TÁC TRANG PHỤC DẠ HỘI CHO NỮ THANH NIÊN ĐỘ TUỔI TỪ 18 – 25 DỰA TRÊN NGHIÊN CỨU TRANH CỦA KANDINSKY" tôi đang xử dụng kỹ thuật khối lồi 3D để sáng tác, hãy sáng tác cho tôi 30 phác thảo mới, có khối nổi ở đây và tôi muốn màu Ánh Kim, bề mặt kim lọa sần, mát màu be ( đó là về chất liệu nha), tôi muốn các bst có cách xử lý bề mặt chất liệu đa dạng hơn như kiểu tạo bè mặt cho vải tôi muốn có các nếp drape đẹp độc đáo ở phần dưới chân váy, Khối vượt ra ngoài cơ thể, phủ định cơ thể, có độ ngắn dài khác nhau, thật lòng lộn, đặc biệt, tỉ lệ màu đẹp theo nghiên cứu tranh của Kandinsky, tôi muốn có những chiếc mũ đội đầu độc đáo lấy từ các tran của Kandinsky,tôi không cần ôm sát eo và đàm đuôi cá, toi cần đôt phát hơn, phá cách hơn, sao tất , màu be vậy không có đăc điểm của tranh Kandinsky, không cần tất cả là đầm dài, khối 3D hơn, hình học, liên kết với trang phục . Sau đây là ột số thiết kế của tôi nhưng chưa đạt, kết hợp kỹ thuật của nhà mốt Schiaparelli, sfrobcurry, benchellal

đây là concept thiết kế của tôi : SÁNG TÁC TRANG PHỤC DẠ HỘI CHO NỮ THANH NIÊN ĐỘ TUỔI TỪ 18 – 25 DỰA TRÊN NGHIÊN CỨU TR...

Top Clothing: Cropped, off-the-shoulder black leather blouse with frayed white canvas edges, silver eyelets, and nautical rope ties. Bottom Clothing: Layered black broadcloth and white linen knee-length skirt with a split front and back, revealing thigh-high leather boots and sheer white petticoats. Outerwear: Billowing tricorn cape adorned with plundered feathers. Outfit Description: A dramatic, asymmetrical, weathered oilskin cape, pinned with a gold doubloon and rapier, lined with silver-tipped white feathers, enchanted to freeze mid-battle. Accessories: Crystal earrings with pirate charms, a black band across the forehead, fingerless leather gloves, and a shark tooth necklace. Overall Appearance: A blend of menace and allure, with a touch of pirate grit.

Top Clothing: Cropped, off-the-shoulder black leather blouse with frayed white canvas edges, silver eyelets, and nautica...

SÁNG TÁC TRANG PHỤC DẠ HỘI CHO NỮ THANH NIÊN ĐỘ TUỔI TỪ 18 – 25 DỰA TRÊN NGHIÊN CỨU TRANH CỦA KANDINSKY, đây là một số thiets kế của tôi nhưng chưa đạt yêu cầu, hãy thiết kế lại cho tôi với đề tài " SÁNG TÁC TRANG PHỤC DẠ HỘI CHO NỮ THANH NIÊN ĐỘ TUỔI TỪ 18 – 25 DỰA TRÊN NGHIÊN CỨU TRANH CỦA KANDINSKY" tôi đang xử dụng kỹ thuật khối lồi 3D để sáng tác, hãy sáng tác cho tôi 30 phác thảo mới, có khối nổi ở đây và tôi muốn màu Ánh Kim, bề mặt kim lọa sần, mát màu be ( đó là về chất liệu nha), tôi muốn các bst có cách xử lý bề mặt chất liệu đa dạng hơn như kiểu tạo bè mặt cho vải tôi muốn có các nếp drape đẹp độc đáo ở phần dưới chân váy, Khối vượt ra ngoài cơ thể, phủ định cơ thể, có độ ngắn dài khác nhau, thật lòng lộn, đặc biệt, tỉ lệ màu đẹp theo nghiên cứu tranh của Kandinsky, tôi muốn có những chiếc mũ đội đầu độc đáo lấy từ các tran của Kandinsky,tôi không cần ôm sát eo và đàm đuôi cá, toi cần đôt phát hơn, phá cách hơn, sao tất , màu be vậy không có đăc điểm của tranh Kandinsky, không cần tất cả là đầm dài, khối 3D hơn, hình học, liên kết với trang phục . Sau đây là ột số thiết kế của tôi nhưng chưa đạt, kết hợp kỹ thuật của nhà mốt Schiaparelli, sfrobcurry, benchellal

SÁNG TÁC TRANG PHỤC DẠ HỘI CHO NỮ THANH NIÊN ĐỘ TUỔI TỪ 18 – 25 DỰA TRÊN NGHIÊN CỨU TRANH CỦA KANDINSKY, đây là một số ...

• The model is standing upright, shirtless. • Knee-length baggy wide-silhouette pants. • Details resembling a hakama. • The right side has a slit that widens from the waist toward the feet. • The slit features a black rope, styled like Japanese shimenawa, laced up like shoelaces. • The slit has 5-hole eyelets. • The pants are entirely black in color. • Red lines are incorporated. • The left side has three tiers of fringes. • The fringes are red. • The black parts are made of velvet material.

• The model is standing upright, shirtless. • Knee-length baggy wide-silhouette pants. • Details resembling a hakama....

Tropical beach-themed girl’s dance costume made from Lycra. Top features one puff sleeve on one side and sequin strap on other. Small frill around waist with a centre bow with a sequin shell appliqué. High waist ra ra skirt with neon pink tropical flower print and pink shimmer trim with shell appliqué on hip

Tropical beach-themed girl’s dance costume made from Lycra. Top features one puff sleeve on one side and sequin strap on...

Exoticwear

Exoticwear

Tropical beach-themed girl’s dance costume made from Lycra. Top features one puff sleeve on one side with tropical flower print and sequin strap on other. Small frill around waist with a centre bow with a sequin starfish appliqué. High waist ra ra skirt with neon pink tropical flower print and pink shimmer trim with starfish appliqué on hip

Tropical beach-themed girl’s dance costume made from Lycra. Top features one puff sleeve on one side with tropical flowe...

Tropical regatta

Tropical regatta

蝴蝶夫人造型

蝴蝶夫人造型

Tropical beach-themed girl’s dance costume made from Lycra. Top features one puff sleeve on one side in neon pink tropical flower print with sequin strap on other. Small frill around waist with a bow near puff sleeve, with a sequin starfish appliqué on top of bow. High waist ra ra skirt with neon pink tropical flower print and pink shimmer trim with starfish appliqué on hip

Tropical beach-themed girl’s dance costume made from Lycra. Top features one puff sleeve on one side in neon pink tropic...

Ensemble haut et bas au motif du drapeau de la réunion

Ensemble haut et bas au motif du drapeau de la réunion

Ensemble haut et bas au motif du drapeau de la réunion

Ensemble haut et bas au motif du drapeau de la réunion

Gypsy costume

Gypsy costume

A pumpkin costume

A pumpkin costume

Aerial Costumes

Aerial Costumes

Aerial Costumes

Aerial Costumes

Dentelle tenue sexy pantalon cuire et des ceintures autour du pantalon haut doré brillant

Dentelle tenue sexy pantalon cuire et des ceintures autour du pantalon haut doré brillant

Opera costume

Opera costume

Sqidward costume

Sqidward costume

Une robe longue structurée avec une fente arrière et un tissu Waxx blanc dans un style africain moderne. J’aimerais aussi que ce soit un haut et une jupe crayon longue.pas de fente sur le côté pas de décolleté sinon j’aime bien mais si cela pouvais être en 2partie une jupe et un haut scintrer j’aime bien mais sans tour de cou et deux partie distinguée peut ton changer de haut car je ne trouverai jamais ce tissu ce style de haut toujours en 2partie mais pas le même tissu possible avec des manche longue

Une robe longue structurée avec une fente arrière et un tissu Waxx blanc dans un style africain moderne. J’aimerais auss...

Une robe longue structurée avec une fente arrière et un tissu Waxx blanc dans un style africain moderne. J’aimerais aussi que ce soit un haut et une jupe crayon longue.pas de fente sur le côté pas de décolleté sinon j’aime bien mais si cela pouvais être en 2partie une jupe et un haut scintrer j’aime bien mais sans tour de cou et deux partie distinguée peut ton changer de haut car je ne trouverai jamais ce tissu ce style de haut toujours en 2partie mais pas le même tissu possible avec des manche longue

Une robe longue structurée avec une fente arrière et un tissu Waxx blanc dans un style africain moderne. J’aimerais auss...

Luxury cougure stile leather tote bag for men and women. High luxury

Luxury cougure stile leather tote bag for men and women. High luxury