01The Pinboard

Surfer

Community designs matching “Surfer” — generated with FashionDesign.ai.

DenimKnitwearTailoringAthleisureCottagecoreGorpcoreResort WearWorkwearGrungePreppyGothicParisian
photorealistic fashion design, User Profile: Petite-Plus (5'2", 190-200 lbs) with a modesty preference. American context, summer season planning for a spring wedding. Garment: Luxury Haute Couture Wedding Dress. Core Concept: A dramatic, elegant, and figure-flattering gown that celebrates the wearer's curves through strategic tailoring, rich textures, and captivating color transitions, all while maintaining an air of sophisticated modesty. The design should visually elongate the wearer's 5'2" frame. • Overall Silhouette & Fit: b. Elongation Focus: The trumpet flare begins distinctly above the knee (approximately 3-4 inches above, or at the narrowest point of the thigh if more flattering), rather than below. This higher break point creates the illusion of longer legs and a more statuesque overall appearance, critical for a petite frame. Is there anything else I can help you with regarding this design brief, or perhaps find other photos of wedding gowns?Flare Dynamic: The flare itself should be soft, fluid, and generous, gracefully fanning out to form a substantial, yet manageable train (approximately 1-2 feet from the back hem). It should not be stiff or overly voluminous, maintaining an elegant flow. • Color Palette & Ombre Execution: b. The "ice blue" should be a cool, slightly desaturated sky blue, reminiscent of frozen water or a clear winter twilight. c. The "black" should be a rich, true black, not charcoal or faded, conveying depth and luxury. d. Ombre Transition: The transition should be gradual and sophisticated, starting subtly around the mid-torso/natural waist, intensifying as it moves down the dress. The darkest black should be concentrated from mid-thigh down to the hem. e. Strategic Darkening: The ombre effect should be subtly manipulated: darker shading (more black integration) should be subtly present along the side seams from the bust down to the hip, acting as a visual contouring technique to enhance the illusion of a narrower waist and hip.Fabric & Texture: b. Texture: The smooth, lustrous satin face should be outward, offering a luxurious sheen. The crepe back provides body and excellent drape. c. Light Reflection: The satin's inherent reflectivity will be key. It should catch light gracefully, highlighting the curves of the body where intended, and allowing the ombre to shimmer. The "ice blue" will appear luminous, while the "black" will absorb and reflect light in sophisticated folds. d. Comfort/Fit: The fabric should have a beautiful, heavy drape, ensuring the body-skimming fit is fluid and forgiving, not harsh. A small percentage of Lycra/Spandex within the silk blend would be ideal for comfort and shape retention, without sacrificing the luxury feel. e. Lining: A double layer of matching silk charmeuse (nude-toned for the bust/torso, then transitioning to match the ombre deeper down) should provide internal structure, comfort, and prevent transparency around the lighter ice blue areas. • Design Elements & Specific Features: b. The neckline sweeps across the collarbones, revealing just enough skin to be alluring but remaining modest.. Design with modest coverage., just the design no text, show front and back. Refinement: The width of the neckline should be carefully calibrated to flatter a petite-plus frame: it should not extend too far outwards beyond the natural shoulder line, to avoid widening the upper body visually. d. The edge should be clean, possibly with a subtle rouleau or piping detail in the ice blue. e. Sleeves: Long, Fitted Sleeves. f. Extend from the off-the-shoulder line, hugging the arms smoothly down to the wrist. g. The ombre from the bodice subtly continues onto the sleeves, or they could transition to a solid deep ice blue. h. A delicate, almost invisible zipper or covered buttons at the wrist for ease of wear. i. Back Detail: Elegant Open Low Back. j. A V-shaped opening that extends to approximately the natural waist or slightly lower. The edges should be clean and smooth.Internal Support: This is critical. The design must incorporate a built-in, fully structured boned corset (or extensive boning) within the bodice. This invisible structure will provide all necessary bust support, cinching, and smooth lines from the interior, ensuring the open back lies flat and the wearer feels secure without external foundation garments. The boning should extend into the side seams down to the hip. l. Embellishment - Bling & Stitching: "Wine Red and White Bling and Stitching" m. Placement: The embellishments are concentrated on the upper bodice, flowing downwards in slender, vertical patterns across the waist and hips to enhance elongation. They should also subtly trace the contours of the off-the-shoulder neckline. n. Style: Very fine, artisanal beadwork and embroidery. o. "Bling": Micro-beads, clear or iridescent sequins, and tiny Swarovski crystals in white and perhaps a very pale, almost translucent ice blue. These should catch the light subtly, creating an effect of frost or starlight.

photorealistic fashion design, User Profile: Petite-Plus (5'2", 190-200 lbs) with a modesty preference. American context...

“Create an image Collection title: “Plasticity of the Wind” 🌬️ Create a collection of 10 women’s designer fashion sketches titled “Plasticity of the Wind.” The collection style is modern high fashion with elements of romantic minimalism, artistic asymmetry, and airy fabric movement. The main concept of the collection is to express wind through clothing: flowing fabrics, fluid lines, light silhouettes, and a sense of freedom. Every look should appear as if the fabric is constantly moving and interacting with the air. The collection should feel highly aesthetic, refined, luxurious, and artistic — like a conceptual couture runway collection. Main characteristics of the collection: flowing silhouettes asymmetrical cuts soft draping layering fluid lines flowing fabrics air movement effect long fluttering elements uneven hems sculptural yet soft forms airy volume a sense of fluidity and freedom The clothing must not look heavy, strict, or rigid. Avoid harsh geometry, bulky structured forms, and office-style fashion. Fabrics: Use light and fluid materials such as: chiffon organza silk lightweight satin tulle crepe semi-transparent fabrics soft draped knitwear The fabrics should appear airy, semi-transparent, and dynamic. Color palette: Soft natural and airy shades: milky white pearl white smoky gray light beige ash blue silver lavender sand sky blue fog and sky tones Soft gradients, transparency, and smooth color transitions are welcome. Collection mood: freedom air fluidity femininity poetic atmosphere lightness movement wind aesthetics softness emotional elegance The collection should evoke the feeling of wind, dancing fabric, and gentle movement. Image and presentation style: The images must NOT be photorealistic. The collection should look like hand-drawn designer fashion sketches created by a real person. The art style should resemble sketches made in ibisPaint, Procreate, Clip Studio Paint, or other digital fashion illustration apps. Required style: hand-drawn rendering slightly imperfect lines expressive sketch strokes sketch aesthetic elongated fashion model proportions minimally detailed faces watercolor or marker-like textures soft artistic presentation authentic designer sketchbook feeling professional fashion illustration style The main focus must be on the clothing, fabric, silhouettes, and movement. Avoid: photorealism realistic skin hyperrealism AI photo style 3D render cinematic realism detailed realistic skin realistic faces heavy body proportions stiff silhouettes” “Make sure all the designs are clearly different from one another and not repetitive. Each of the 10 looks should have its own unique silhouette, construction, layering, draping, and interpretation of the wind-inspired concept while still feeling cohesive as one couture collection. Place all 10 fashion sketches together in a single image composition in a 16:9 format. The presentation should resemble a professional high-fashion designer collection board or runway concept sheet, with balanced composition, elegant spacing, and a visually cohesive artistic layout. The sketches should vary in: silhouette garment structure draping style layering sleeve design hem shapes movement direction fabric flow proportions styling details Avoid duplicated poses, repeated outfit structures, or designs that look too similar to each other.”

“Create an image Collection title: “Plasticity of the Wind” 🌬️ Create a collection of 10 women’s designer fashion sketc...

photorealistic fashion design, photorealistic fashion design, photorealistic fashion design, photorealistic fashion design, User Profile: Petite-Plus (5'2", 190-200 lbs) with a modesty preference. American context, summer season planning for a spring wedding. Garment: Luxury Haute Couture Wedding Dress. Core Concept: A dramatic, elegant, and figure-flattering gown that celebrates the wearer's curves through strategic tailoring, rich textures, and captivating color transitions, all while maintaining an air of sophisticated modesty. The design should visually elongate the wearer's 5'2" frame. • Overall Silhouette & Fit: b. Elongation Focus: The trumpet flare begins distinctly above the knee (approximately 3-4 inches above, or at the narrowest point of the thigh if more flattering), rather than below. This higher break point creates the illusion of longer legs and a more statuesque overall appearance, critical for a petite frame. Is there anything else I can help you with regarding this design brief, or perhaps find other photos of wedding gowns?Flare Dynamic: The flare itself should be soft, fluid, and generous, gracefully fanning out to form a substantial, yet manageable train (approximately 1-2 feet from the back hem). It should not be stiff or overly voluminous, maintaining an elegant flow. • Color Palette & Ombre Execution: b. The "ice blue" should be a cool, slightly desaturated sky blue, reminiscent of frozen water or a clear winter twilight. c. The "black" should be a rich, true black, not charcoal or faded, conveying depth and luxury. d. Ombre Transition: The transition should be gradual and sophisticated, starting subtly around the mid-torso/natural waist, intensifying as it moves down the dress. The darkest black should be concentrated from mid-thigh down to the hem. e. Strategic Darkening: The ombre effect should be subtly manipulated: darker shading (more black integration) should be subtly present along the side seams from the bust down to the hip, acting as a visual contouring technique to enhance the illusion of a narrower waist and hip.Fabric & Texture: b. Texture: The smooth, lustrous satin face should be outward, offering a luxurious sheen. The crepe back provides body and excellent drape. c. Light Reflection: The satin's inherent reflectivity will be key. It should catch light gracefully, highlighting the curves of the body where intended, and allowing the ombre to shimmer. The "ice blue" will appear luminous, while the "black" will absorb and reflect light in sophisticated folds. d. Comfort/Fit: The fabric should have a beautiful, heavy drape, ensuring the body-skimming fit is fluid and forgiving, not harsh. A small percentage of Lycra/Spandex within the silk blend would be ideal for comfort and shape retention, without sacrificing the luxury feel. e. Lining: A double layer of matching silk charmeuse (nude-toned for the bust/torso, then transitioning to match the ombre deeper down) should provide internal structure, comfort, and prevent transparency around the lighter ice blue areas. • Design Elements & Specific Features: b. The neckline sweeps across the collarbones, revealing just enough skin to be alluring but remaining modest.. Design with modest coverage., just the design no text, show front and back. Refinement: The width of the neckline should be carefully calibrated to flatter a petite-plus frame: it should not extend too far outwards beyond the natural shoulder line, to avoid widening the upper body visually. d. The edge should be clean, possibly with a subtle rouleau or piping detail in the ice blue. e. Sleeves: Long, Fitted Sleeves. f. Extend from the off-the-shoulder line, hugging the arms smoothly down to the wrist. g. The ombre from the bodice subtly continues onto the sleeves, or they could transition to a solid deep ice blue. h. A delicate, almost invisible zipper or covered buttons at the wrist for ease of wear. i. Back Detail: Elegant Open Low Back. j. A V-shaped opening that extends to approximately the natural waist or slightly lower. The edges should be clean and smooth.Internal Support: This is critical. The design must incorporate a built-in, fully structured boned corset (or extensive boning) within the bodice. This invisible structure will provide all necessary bust support, cinching, and smooth lines from the interior, ensuring the open back lies flat and the wearer feels secure without external foundation garments. The boning should extend into the side seams down to the hip. l. Embellishment - Bling & Stitching: "Wine Red and White Bling and Stitching" m. Placement: The embellishments are concentrated on the upper bodice, flowing downwards in slender, vertical patterns across the waist and hips to enhance elongation. They should also subtly trace the contours of the off-the-shoulder neckline. n. Style: Very fine, artisanal beadwork and embroidery. o. "Bling": Micro-beads, clear or iridescent sequins, and tiny Swarovski crystals in white and perhaps a very pale, almost translucent ice blue. These should catch the light subtly, creating an effect of frost or starlight., just the design no text. Refinement: "Stitching": Delicate embroidery in a rich, deep "wine red" silk thread, creating filigree-like patterns that intertwine with the "bling." This provides a warm contrast to the cool tones of the ombre. The red should be an expensive, jewel-toned shade, not a bright, primary red. q. Red Bling: Sparse addition of tiny, deep wine red crystals or beads for pops of intense color. r. Subtlety: The embellishments should be luxurious and intricate but not overly dense or chunky, ensuring they don't add bulk. Their purpose is to enhance the form and add visual interest. s. Slit Detail: High Left-Side Slit. t. The slit should begin at approximately the mid-thigh. This is high enough to be dramatic and reveal the garter but is balanced by the overall length and graceful movement of the trumpet flare. u. The edges of the slit should be clean, hemmed impeccably. v. Garter: The "wine red and ice blue garter" should be subtly visible through the slit, a private flourish of personality and luxurious detail. Describe it as a delicate lace or satin garter with perhaps a small crystal embellishment.5. Construction & Quality: a. Haute Couture Finish: All seams should be impeccably finished (French seams or fully lined). b. Pattern Making: The pattern should be drafted specifically for a petite-plus body, accounting for curves and providing appropriate ease to avoid pulling or gaping, especially with the bodycon nature. c. Balance: The gown should feel substantial and luxurious, yet comfortable and easy to move in., just the design no text. Refinement: love it can we make it also so the sleeves and bottom of dress can be removed, just the design no text. Refinement: can we add a small tiara and matching vale

photorealistic fashion design, photorealistic fashion design, photorealistic fashion design, photorealistic fashion desi...

photorealistic fashion design, photorealistic fashion design, photorealistic fashion design, User Profile: Petite-Plus (5'2", 190-200 lbs) with a modesty preference. American context, summer season planning for a spring wedding. Garment: Luxury Haute Couture Wedding Dress. Core Concept: A dramatic, elegant, and figure-flattering gown that celebrates the wearer's curves through strategic tailoring, rich textures, and captivating color transitions, all while maintaining an air of sophisticated modesty. The design should visually elongate the wearer's 5'2" frame. • Overall Silhouette & Fit: b. Elongation Focus: The trumpet flare begins distinctly above the knee (approximately 3-4 inches above, or at the narrowest point of the thigh if more flattering), rather than below. This higher break point creates the illusion of longer legs and a more statuesque overall appearance, critical for a petite frame. Is there anything else I can help you with regarding this design brief, or perhaps find other photos of wedding gowns?Flare Dynamic: The flare itself should be soft, fluid, and generous, gracefully fanning out to form a substantial, yet manageable train (approximately 1-2 feet from the back hem). It should not be stiff or overly voluminous, maintaining an elegant flow. • Color Palette & Ombre Execution: b. The "ice blue" should be a cool, slightly desaturated sky blue, reminiscent of frozen water or a clear winter twilight. c. The "black" should be a rich, true black, not charcoal or faded, conveying depth and luxury. d. Ombre Transition: The transition should be gradual and sophisticated, starting subtly around the mid-torso/natural waist, intensifying as it moves down the dress. The darkest black should be concentrated from mid-thigh down to the hem. e. Strategic Darkening: The ombre effect should be subtly manipulated: darker shading (more black integration) should be subtly present along the side seams from the bust down to the hip, acting as a visual contouring technique to enhance the illusion of a narrower waist and hip.Fabric & Texture: b. Texture: The smooth, lustrous satin face should be outward, offering a luxurious sheen. The crepe back provides body and excellent drape. c. Light Reflection: The satin's inherent reflectivity will be key. It should catch light gracefully, highlighting the curves of the body where intended, and allowing the ombre to shimmer. The "ice blue" will appear luminous, while the "black" will absorb and reflect light in sophisticated folds. d. Comfort/Fit: The fabric should have a beautiful, heavy drape, ensuring the body-skimming fit is fluid and forgiving, not harsh. A small percentage of Lycra/Spandex within the silk blend would be ideal for comfort and shape retention, without sacrificing the luxury feel. e. Lining: A double layer of matching silk charmeuse (nude-toned for the bust/torso, then transitioning to match the ombre deeper down) should provide internal structure, comfort, and prevent transparency around the lighter ice blue areas. • Design Elements & Specific Features: b. The neckline sweeps across the collarbones, revealing just enough skin to be alluring but remaining modest.. Design with modest coverage., just the design no text, show front and back. Refinement: The width of the neckline should be carefully calibrated to flatter a petite-plus frame: it should not extend too far outwards beyond the natural shoulder line, to avoid widening the upper body visually. d. The edge should be clean, possibly with a subtle rouleau or piping detail in the ice blue. e. Sleeves: Long, Fitted Sleeves. f. Extend from the off-the-shoulder line, hugging the arms smoothly down to the wrist. g. The ombre from the bodice subtly continues onto the sleeves, or they could transition to a solid deep ice blue. h. A delicate, almost invisible zipper or covered buttons at the wrist for ease of wear. i. Back Detail: Elegant Open Low Back. j. A V-shaped opening that extends to approximately the natural waist or slightly lower. The edges should be clean and smooth.Internal Support: This is critical. The design must incorporate a built-in, fully structured boned corset (or extensive boning) within the bodice. This invisible structure will provide all necessary bust support, cinching, and smooth lines from the interior, ensuring the open back lies flat and the wearer feels secure without external foundation garments. The boning should extend into the side seams down to the hip. l. Embellishment - Bling & Stitching: "Wine Red and White Bling and Stitching" m. Placement: The embellishments are concentrated on the upper bodice, flowing downwards in slender, vertical patterns across the waist and hips to enhance elongation. They should also subtly trace the contours of the off-the-shoulder neckline. n. Style: Very fine, artisanal beadwork and embroidery. o. "Bling": Micro-beads, clear or iridescent sequins, and tiny Swarovski crystals in white and perhaps a very pale, almost translucent ice blue. These should catch the light subtly, creating an effect of frost or starlight., just the design no text. Refinement: "Stitching": Delicate embroidery in a rich, deep "wine red" silk thread, creating filigree-like patterns that intertwine with the "bling." This provides a warm contrast to the cool tones of the ombre. The red should be an expensive, jewel-toned shade, not a bright, primary red. q. Red Bling: Sparse addition of tiny, deep wine red crystals or beads for pops of intense color. r. Subtlety: The embellishments should be luxurious and intricate but not overly dense or chunky, ensuring they don't add bulk. Their purpose is to enhance the form and add visual interest. s. Slit Detail: High Left-Side Slit. t. The slit should begin at approximately the mid-thigh. This is high enough to be dramatic and reveal the garter but is balanced by the overall length and graceful movement of the trumpet flare. u. The edges of the slit should be clean, hemmed impeccably. v. Garter: The "wine red and ice blue garter" should be subtly visible through the slit, a private flourish of personality and luxurious detail. Describe it as a delicate lace or satin garter with perhaps a small crystal embellishment.5. Construction & Quality: a. Haute Couture Finish: All seams should be impeccably finished (French seams or fully lined). b. Pattern Making: The pattern should be drafted specifically for a petite-plus body, accounting for curves and providing appropriate ease to avoid pulling or gaping, especially with the bodycon nature. c. Balance: The gown should feel substantial and luxurious, yet comfortable and easy to move in., just the design no text. Refinement: love it can we make it also so the sleeves and bottom of dress can be removed

photorealistic fashion design, photorealistic fashion design, photorealistic fashion design, User Profile: Petite-Plus (...

photorealistic fashion design, photorealistic fashion design, User Profile: Petite-Plus (5'2", 190-200 lbs) with a modesty preference. American context, summer season planning for a spring wedding. Garment: Luxury Haute Couture Wedding Dress. Core Concept: A dramatic, elegant, and figure-flattering gown that celebrates the wearer's curves through strategic tailoring, rich textures, and captivating color transitions, all while maintaining an air of sophisticated modesty. The design should visually elongate the wearer's 5'2" frame. • Overall Silhouette & Fit: b. Elongation Focus: The trumpet flare begins distinctly above the knee (approximately 3-4 inches above, or at the narrowest point of the thigh if more flattering), rather than below. This higher break point creates the illusion of longer legs and a more statuesque overall appearance, critical for a petite frame. Is there anything else I can help you with regarding this design brief, or perhaps find other photos of wedding gowns?Flare Dynamic: The flare itself should be soft, fluid, and generous, gracefully fanning out to form a substantial, yet manageable train (approximately 1-2 feet from the back hem). It should not be stiff or overly voluminous, maintaining an elegant flow. • Color Palette & Ombre Execution: b. The "ice blue" should be a cool, slightly desaturated sky blue, reminiscent of frozen water or a clear winter twilight. c. The "black" should be a rich, true black, not charcoal or faded, conveying depth and luxury. d. Ombre Transition: The transition should be gradual and sophisticated, starting subtly around the mid-torso/natural waist, intensifying as it moves down the dress. The darkest black should be concentrated from mid-thigh down to the hem. e. Strategic Darkening: The ombre effect should be subtly manipulated: darker shading (more black integration) should be subtly present along the side seams from the bust down to the hip, acting as a visual contouring technique to enhance the illusion of a narrower waist and hip.Fabric & Texture: b. Texture: The smooth, lustrous satin face should be outward, offering a luxurious sheen. The crepe back provides body and excellent drape. c. Light Reflection: The satin's inherent reflectivity will be key. It should catch light gracefully, highlighting the curves of the body where intended, and allowing the ombre to shimmer. The "ice blue" will appear luminous, while the "black" will absorb and reflect light in sophisticated folds. d. Comfort/Fit: The fabric should have a beautiful, heavy drape, ensuring the body-skimming fit is fluid and forgiving, not harsh. A small percentage of Lycra/Spandex within the silk blend would be ideal for comfort and shape retention, without sacrificing the luxury feel. e. Lining: A double layer of matching silk charmeuse (nude-toned for the bust/torso, then transitioning to match the ombre deeper down) should provide internal structure, comfort, and prevent transparency around the lighter ice blue areas. • Design Elements & Specific Features: b. The neckline sweeps across the collarbones, revealing just enough skin to be alluring but remaining modest.. Design with modest coverage., just the design no text, show front and back. Refinement: The width of the neckline should be carefully calibrated to flatter a petite-plus frame: it should not extend too far outwards beyond the natural shoulder line, to avoid widening the upper body visually. d. The edge should be clean, possibly with a subtle rouleau or piping detail in the ice blue. e. Sleeves: Long, Fitted Sleeves. f. Extend from the off-the-shoulder line, hugging the arms smoothly down to the wrist. g. The ombre from the bodice subtly continues onto the sleeves, or they could transition to a solid deep ice blue. h. A delicate, almost invisible zipper or covered buttons at the wrist for ease of wear. i. Back Detail: Elegant Open Low Back. j. A V-shaped opening that extends to approximately the natural waist or slightly lower. The edges should be clean and smooth.Internal Support: This is critical. The design must incorporate a built-in, fully structured boned corset (or extensive boning) within the bodice. This invisible structure will provide all necessary bust support, cinching, and smooth lines from the interior, ensuring the open back lies flat and the wearer feels secure without external foundation garments. The boning should extend into the side seams down to the hip. l. Embellishment - Bling & Stitching: "Wine Red and White Bling and Stitching" m. Placement: The embellishments are concentrated on the upper bodice, flowing downwards in slender, vertical patterns across the waist and hips to enhance elongation. They should also subtly trace the contours of the off-the-shoulder neckline. n. Style: Very fine, artisanal beadwork and embroidery. o. "Bling": Micro-beads, clear or iridescent sequins, and tiny Swarovski crystals in white and perhaps a very pale, almost translucent ice blue. These should catch the light subtly, creating an effect of frost or starlight., just the design no text. Refinement: "Stitching": Delicate embroidery in a rich, deep "wine red" silk thread, creating filigree-like patterns that intertwine with the "bling." This provides a warm contrast to the cool tones of the ombre. The red should be an expensive, jewel-toned shade, not a bright, primary red. q. Red Bling: Sparse addition of tiny, deep wine red crystals or beads for pops of intense color. r. Subtlety: The embellishments should be luxurious and intricate but not overly dense or chunky, ensuring they don't add bulk. Their purpose is to enhance the form and add visual interest. s. Slit Detail: High Left-Side Slit. t. The slit should begin at approximately the mid-thigh. This is high enough to be dramatic and reveal the garter but is balanced by the overall length and graceful movement of the trumpet flare. u. The edges of the slit should be clean, hemmed impeccably. v. Garter: The "wine red and ice blue garter" should be subtly visible through the slit, a private flourish of personality and luxurious detail. Describe it as a delicate lace or satin garter with perhaps a small crystal embellishment.5. Construction & Quality: a. Haute Couture Finish: All seams should be impeccably finished (French seams or fully lined). b. Pattern Making: The pattern should be drafted specifically for a petite-plus body, accounting for curves and providing appropriate ease to avoid pulling or gaping, especially with the bodycon nature. c. Balance: The gown should feel substantial and luxurious, yet comfortable and easy to move in.

photorealistic fashion design, photorealistic fashion design, User Profile: Petite-Plus (5'2", 190-200 lbs) with a modes...

Ennui’s fitness Journey new version!  (Alternate Title: Ennui Gets Strong!)  Plot: Ennui wants to Sing “I’m Bored: Ennui Song” to The crowd in the FBB and the Karaoke Contest was happening there too but to Attend Ennui has to do Gym first as she signs up for it but she realized that she wasn’t Designed to become Buff due to her Emotion Personally so she buys a Full-Body Suit to wear and Everytime she blows Air into the Pump on the Sides under her Arm it increases her Strength and creates Muscles (But it Self-Destructs if pressed on a Red Button the Back that’s protected by a Door) as she must fool the Fitness Coach by being Dramatic as she’s a Professional at that and get that Musical Dream she always wanted but after the Fitness Coach gets Arrested for training Ennui The Indigo Woman must talk to him and the Fitness Coach learns that you can’t train an Emotion that’s not Designed to become Buff only Humans as he learns from his Mistakes.  INT. EMOTION GYM [Ennui stands Smiling at the gym entrance, wearing new workout clothes] Fitness Coach: Ready to begin your journey? Ennui: non  Fitness Coach: Wait What?!  Ennui: (Secretly Puts on her Fake muscle suit) NOW I AM READY!  *SCENE 8 - THE TRAINING MONTAGE* (The Gym)  Fitness Coach: Alright Ennui! go for it! 4 Workouts that’s probably hard to master you probably won’t do it unless you try hard enough  Ennui: (Stands her Ground) Well non I do have the Strength  (Workout 1)  [Ennui struggles Dramatically as she pretends to with basic push-ups)  Fitness Coach: Again! Your form needs work! Ennui: (Was being dramatic pretends to cry) I... I can't... Joy: (from the sidelines) YES YOU CAN, ENNUI! Ennui: (Brights up as she stops doing pushups) OH WAIT! I CAN! (Bows air in her suit) HAHA! MERCI JOY! (Does Perfect Pushups with a Perfect Form)  Fitness Coach: Wait is that (Shrugs)  Ennui: it’s Okay! (Does it with one hand and one similar to that of a Russian man) Now if you Excuse-Moi (Left)  Fitness Coach: (Was Baffled and Shocked) Alright then you can fool me but the next workout will probably hurt you!  Ennui: (Glares Angrily and drank a literal Push up drink)  (Workout 2)  [Ennui at the squat rack, her legs trembling] Fitness Coach: Push through the pain! Ennui: (Smiling) Alright fitness coach (Blows more Air in the suit as she succeeds) Haha!  Fitness Coach: (Stammering) I-I don’t understand! How are you doing this so easily?! Ennui: (Smirks and Laughs as she started Lifting the Rack too and laughed loudly)  Fitness Coach: What is going on here?! Joy: Ennui! You are doing this for  Ennui: (Puts Rack away and walks over to Joy placing her hand on her shoulder) Oui I am it’s in one week so I’m preparing now and well (Smiles) It’s working  Fitness Coach: Alright Ennui! The next workout is Pull-ups!  Ennui: But I already wore them as a Child!  (The 9 Emotions all burst out Laughing as Embarrassment blushed Bright pink)  Fitness Coach: Not that kind! (Sighs)  (Workout 3)  [Ennui doing perfect pull-ups Blowing air into the suit each time] Anxiety: MON AMIE! YOU'RE GETTING SO STRONG! Joy: But anxiety! She’s using a Suit!  Anxiety: (Gasps sees Ennui blowing air into the suit) SHE IS! AND SHE IS NOT DESIGNED TO BE BUFF!  Fitness Coach: ?!  Ennui: (Goes on top of the Pull up Bar and jumps down as she bows) MERCI!  Fitness Coach: (Was So Stunned he almost fell onto the Floor)  Ennui: Uh Oh! (Catches him) You okay?  Fitness Coach: Ennui please! (Tears in his eyes) Please just take the Suit Off!  Ennui: Well I just have one final workout to do!  Anger: I will help you!  Fitness Coach: I will be Watching! (Left)  (Workout 4)  [Ennui deadlifting heavy weights as she was blowing Air into the Suit] Anger: (spotting her) SHOW THEM WHAT YOU'RE MADE OF! Ennui: (Was Being Dramatic as she pretends to strain) RRRAAAHHH! (Blows more Air into her suit)  Anger: ARE YOU CHEATING?!! Ennui: (Scared) N-NON! (Laughs Nervously)  Anger: AHH THE GOOD OL BODY SUIT GOOD THINKING  Ennui: (Sighs in Relief)  Fitness Coach: (Looks and was Horrified by what he was seeing) OH GOD!  Ennui: (Laughing as she raises the Bar with one hand tosses it and Catches it with the other)  (The 8 Emotions cheered with Excitement)  Fitness Coach: (Storms in Angrily) NO! NO! NO! NO!  Ennui: Hey that’s Ouoi I say for my phone loss! (Puts weight away)  Fitness Coach: (Angrily) YOU CHEATED! AND YOU ARE  Announcer: (Ran in from the back door) WAIT! (Goes towards Ennui) YOU DID IT! (Smiles and shows Ennui the Certificate) YOU ARE OFFICIALLY IN!  The 8 Emotions and Ennui: (Loud Cheering)  Ennui: (Was full of Excitement) I DID IT! I GOT IN! OOH LA LA!  Joy: (Hugs Ennui) YOU DID IT MON AMIE!  Anger: ALL THOSE DRAMATIC CLASSES PAID OFF!  Ennui: (Laughing) IT SURE DID ANGER! (Hugs Joy back) MERCI FOR BELIEVING IN MOI! ALTHOUGH I DID ALREADY BELIEVE IN MYSELF IN THAT BODY SUIT!  Joy: ANYTIME!  Sadness: NOW! LETS CELEBRATE! TO HEADQUARTERS!! (The 9 Emotions ran off Laughing as the Fitness Coach looked at the Announcer with Disbelief)  Fitness Coach: WAIT WHAT?!! BUT SHE HAS A BODY SUIT!!! IS THAT CHEATING?!! Announcer: FOR A NORMAL HUMAN BEING YES BUT FOR AN EMOTION WITH A SINGLE PERSONALITY LIKE ENNUI IT NOT POSSIBLE  Fitness Coach: (Was getting Angry and Frustrated) I WILL SET UP AN INTENSE WORKOUT FOR HER! TO TEST HER!  Announcer: BUT SHE GOT IN ALREADY!!! Fitness Coach: (Angrily storms off) I KNOW SHE DID! BUT I WILL NOT ALLOW HER TO CHEAT! (Left)  (After Gym)  INT. HEADQUARTERS!  Ennui: (Practices) OOH LA LA! MY PHONE! (Laughing as she blew air in her suit) WHERE IS MY PHONE!  (Ennui grabs Blanket and went to sleep)  (The Next day)  (Gym)  Fitness Coach: ENNUI PLEASE (Reveals Pushups with Weights, Squat Rack with lots of Weights, Pull-ups with a Balance board Below it and the Deadlifting weights with heavier Reps) DO THEM!  Joy: OH NO! ENNUI! MAYBE YOU  Ennui: (With Confidence and Courage) NON! I GOT THIS! (Ran off as she Succeeded in every one of them)  Ennui: (Does Pushups right, Ran to the Squat rack and lifted it Successfully, Ran to the Pull-ups and did it as she also ran across the Balance bored)  The 8 Emotions: (Cheering)  Fitness Coach: (Stammering in Ultershock) H-H-HOW HOW IS  Anger: ENNUI IS A NATIONAL!  Ennui: (Does Deadlift as she puts the weight down but due to her Massive Strength the weights fell off the rack) TA-DA!!! Fitness Coach: THAT WAS  Joy: SO COOL!! AND ATHLETIC!!! (The 8 Emotions all cheered and tossed Ennui Up and down as she laughed)  Anger: (Nudges her) GOOD GOING ENNUI!  Fitness Coach: (Couldn’t talk as he felt speechless)  Joy: COME ON! LETS SPEND ALL THIS GLORY I MEAN BOREDOM DOING THINGS WITHOUT WEIGHTS!  Ennui: (Puts on her Shades) OUI! WE MUST GO! (To the Fitness Coach) I QUIT! (Puts Pump away) I WILL DESTROY IT LATER! AU REVIOR Fitness Coach: QUIT! NO! NO (The Door closes as he threw his Whistle Growing and Screaming in Frustration as he stomps on it)  Joy: (Heard him) IS HE  Ennui: IT OKAY JOY WE MUST GO  Joy: YEA  Fitness Coach: (Looks at the 9 Emotions going off on Bus as he Blew up Screaming) EEEENNNNUUIIIII!!!!!!!!!!!!!!!!!! Ennui: (Looks at the Fitness Coach Smiling) HE IS REALLY UPSET!  *SCENE 10 - THE AMAZING LIFE OF ENNUI* (At the Beach)  Joy: (Surfing) COME ON ENNUI!  Ennui: COMING! (Grabs Surfboard and ran towards a Wave) CANNONBALL!!!! (Laughing with Joy)  (The Fitness Coach was Shocked on this)  Ennui: (Snaps a Selfie on her phone) MY PHONE! (Laughs)  (The Fitness Coach was Furious and left)  Ennui: (Points to the Fitness Coach as she yells at the 8 Emotions) REMEMBER THAT TIME I WENT TO THE GYM WITH THIS SUIT ON!  (The 8 Emotions howled with Laughter)  Ennui: (Mocks the Fitness Coach) AGAIN YOUR FORM NEEDS WORK! PUSH THROUGH THE PAIN!! Joy and the 8 Emotions: (Burst out Laughing)  Ennui: (Laughs)  Fitness Coach: (Growls and left)  (All Week Ennui and the 8 Emotions relaxed and Helped Riley out)  Fitness Coach: (Points at Ennui to his Staff) ENNUI REFUSED TO BE STRONG!  Staff 1: SHE IS ALREADY STRONG! LOOK AT HER!  Anxiety: SADNESS? (Gasps) ENNUI! WHERE YOUR PHONE? Ennui: (Looks at her Hand and Gasps) OOH LA LA! (Gets up) MY PHONE! (Gets up and touches her Body Suit) WHERE IS MY PHONE?!! (Touches the side where the Air Pump was hidden) SERIOUSLY!!! (Picks up the Couch with Both hands) THIS IS NOT HAPPENING!!! (Throws it away yelling) NON! NON! NON! NON! NON!!!!  Fitness Coach: (Tearfully) I-I FAILED ENNUI!!!!  Staff: HEY HEY IT OKAY! (Hugs the poor crying Fitness Coach as he was in Distress) YOU TRIED YOUR BEST AND THAT WHAT COUNTS  Fitness Coach: (Ran in the Scene) ENNUI!  Ennui: (Was in her final Pose of her Phone Loss) NON!!! I LOST IT!  Fitness Coach: ENNUI! I WILL HELP YOU! JUST LISTEN TO ME!  Ennui: (Gets up and sighs) OUOI? Fitness Coach: I AM TRULY SORRY ABOUT MY ACTIONS!! I SHOULD HAVE KNOWN THAT YOU WERE NOT DESIGNED TO BE BUFF BUT YOU GO GET THAT PRIZE! SING YOUR SONG! YOU EARNED IT!  Ennui: (Smiles as she hugs the Fitness Coach) MERCI FOR THE APOLOGY! I FORGIVE YOU! (Let’s go)  Fitness Coach: (Smiles) THANKS ENNUI (Ran off)  Anxiety: IT GOTTA BE HERE SOMEWHERE! FIND HER!  Ennui: (Ran off to look for her phone)  *SCENE 11 - The Karaoke Concert* INT. EMOTION AUDITORIUM DAY (It has been a Week as the Riley that the 9 Emotions helped was just a Stand in as the Original one was on Vacation)  [Ennui stands backstage at the Karaoke concert] Ennui: First thing first! (Takes off her Full Muscle Body suit revealing herself as the suit lets out a Squeal and pops (POP!) vanishing from view as Ennui had pressed the self destruct button)  The 8 Emotions, FITNESS COACH and the Crowd: (Loud Gasps as Disgust let out a gag) Ennui: Ouoi (What?)  Joy: You wore that during the fitness journey just to fool that fitness coach and to get in the Karaoke contest and then you destroyed it when you got into this place!  Ennui: (Burst out laughing) Ooh la la Joy! You guessed this!  (Both Joy and Ennui burst out laughing loudly as they hugged)  Announcer: Oh okay then this is the FBB later but now it’s the Karaoke Concert as well!  (The Bodybuilders all groaned but they left anyway)  Ennui: Sorry! I will watch you girls later.  Anxiety: (Puts the Song “I’m Ennui and I’m bored” on the Radio) You got this Mon Amie  Joy: Show them what you have become!  Ennui: (taking deep breath) I got this (Takes radio away and left) You can sing with moi if you want to.  [Ennui steps onto the stage, lights blazing] Announcer: And now, presenting... ENNUI! SINGING I AM ENNUI AND I AM BORED!  (The Crowd burst into Applause as Ennui Emerages from the Stage)  Ennui: (Smiles) OKAY HERE GOES NOTHING! (Starts Singing “I’m Ennui and I’m bored as she danced around the stage and the 8 Emotions joined in too)  Ennui: (Grabs the Microphone and turns the Stage into a Jazzy Set as a Disco Ball came down) AHEM! (Counts down) ONE! TWO AND A ONE TWO THREE! (Sings) I'm Ennui Same old days, same old scene Everything's a maybe, nothing's keen No spark of passion, no fire chase Just alongside this monotonous space No friends, not fun, but the thrill's gone flat Movies track, even peace is just a path Even anger's quiet, simmering low Is this all there is? Do emotions, Know! (Does the Phone Loss Scene) OOH LA LA MY PHONE! WHERE IS MY PHONE! SERIOUSLY! THIS IS NOT HAPPENING! NON! NON! NON! NON! NON! (Ennui sings the Song again but this time she’s singing on the Microphone with Fear on the Guitar and Sadness on the Flute and it’s the Lounge Ennui style version) Joy: (Yells from the Crowd) DO THAT MOCK!  Ennui: (Nods and Starts Mocking the Fitness Coach as she sang) ARE YOU READY TO START YOUR JOURNEY?!! AGAIN! YOUR FORM NEEDS WORK! PUSH THROUGH THE PAIN!!!!! (Does a Tap-Dance Number and finishes her Song)  (Everyone burst into Applause as Ennui bows) Fitness Coach: (Was Stunned and Speechless as he saw Ennui Sniffing a Rose that Anxiety threw onstage Smiling Happily)  Ennui: MERCI GUYS!  Fitness Coach: (Ran up as Ennui and the 8 Emotions all Danced towards the Backstage and they were in Excitement over Ennui’s Amazing Performance) Tell Me what you did!  Joy: Tell him Ennui!  Ennui: (Smiles) LET MOI TELL YOU A STORY!  (Flashback to a week back)  Ennui (VO): I WAS SHOPPING FOR A BODY SUIT TO USE FOR MOI (Grabs one) BUT I SAW A POSTER (Sees the Bodybuilding Competition) OOH I MUST DO THIS! BUT I CAN NOT GET BUFF! I AM NOT DESIGNED FOR THIS! (Has an Idea and puts it on)  (Flashback ends)  Ennui: AND SO! I DID THIS TO PRANK YOU MR COACH! AND I ALSO DID A KAROKE CONCERT THAT IS PERFECT FOR MOI! AND LIKE JOY SAID I HAD TO DO THIS TO BE IN THE CONTEST!  FITNESS COACH: (Scared Stammering sees Ennui in the Beach side but in a Body suit and she was Relaxed)  I-I DO NOT UNDERSTAND!! (Points to Ennui) YOU ARE A WEAKLING!  Joy: AND SHE WILL ALWAYS BE BORED! CAUSE THAT IS HER EMOTION!  Ennui: (Smiles) YOU CAN NOT CHANGE THAT!  Anger: IT IS IMPOSSIBLE TO CHANGE YOUR EMOTIONS AS PIXAR MADE US THIS WAY!  Ennui: AS YOU COULD TELL! THAT IS WHY I STRUGGLED TO DO PUSHUPS!, SQUATS!, PULL-UPS! AND DEADLIFTING! CAUSE I AM A LIMP NOODLE! I WAS NOT DESIGNED TO GET BUFF OR LET ALONE JOIN THE IFBB  Joy: YOU TELL HIM ENNUI!  Sadness: AND THAT IS WHY YOU BOUGHT THE BODY SUIT!  Ennui: OUI! THAT IS RIGHT SADNESS! TO INCREASE MY STRENGTH  Anger: BUT WHAT ABOUT THAT RAHH YOU LET OUT  Ennui: (Scolfs) I WAS BEING DRAMATIC!! (Laughing as the 8 Emotions joined in) BESIDES! I WAS BEING DRAMATIC EVERYWHERE!  Joy: Well you did pretend to cry during your pushup session  Ennui: True! Sadness: AND AFTER THE INTENSE WORKOUT YOU WENT TO HEADQUARTERS TO HELP RILEY!  Ennui: OUI!  Fitness Coach: (Was Handcuffed by two Police Officers) H-HEY!!! YOU WERE HEARING ENNUI TALKING?!! Cop: (Nods) YEP AND YOU ARE UNDER ARREST FOR TRAINING A LIMP NOODLE WE HAD SECURITY CAMERAS EVERYWHERE AND WE SAW YOU  Ennui: (Gasps) NON! NON! HE LEARNED HIS LESSON!  Cop: BUT HE DID A BAD JOB! (Takes him away)  Ennui: (Sees the Fitness Coach being towed away her eyes welled up with tears) NON! (Tears streamed down her face)  Joy: ENNUI? Ennui: (Sniffling) THIS-THIS IS ALL MY FAULT! (Ran off Crying)  (The 8 Emotions looked Worriedly at her)  Joy: I WILL CHECK ON HER (Ran off)  (Outside)  Joy: (Sat beside Ennui) YOU DID GREAT BACK THERE! WHAT HAPPENED?!! Ennui: (Crying) ALL I WANTED! WAS TO MAKE THE FITNESS COACH HAPPY! BUT (Sobbing) I-I CHEATED MY WAY THROUGH!!! AND  Joy: (Places her hand on her Shoulder) MADE HIM GET ARRESTED? WELL YOU PROBABLY NEVER MEANT TO DO THAT THE COP SOMETIMES GET THE FACTS WRONG!  Ennui: (Tearfully) I-I JUST WANTED TO BE A STAR!!!!  Joy: I KNOW ENNUI I UNDERSTAND Ennui: (Hugs Joy Sobbing harder as Joy hugged her and rubbed her back) I-I LET THE FITNESS COACH DOWN!!! Joy: SHH SHH LET IT OUT YOU ARE IN DISTRESS I CAN SEE THAT  Ennui: (Wails loudly as tears Flew onto the Floor)  (The 7 Emotions came out)  Anxiety: I CAN NOT STAND SEEING ENNUI SO SAD!  Envy: SHE JUST DID AN AMAZING MUSICAL NUMBER!  Sadness: THE BUS IS HERE (Pats Ennui’s Hair)  Ennui: (Gets off Joy and Sniffles) ALRIGHT COME ON MON AMIES (Gets up and left on the bus)  Sadness: WOW JOY YOU WERE GREAT  Joy: THANKS! ENNUI IS MY BEST FRIEND AFTER ALL!  (They got on)  (In the Bus back to Emotion Headquarters the 9 Emotions were Howling with Laughter as they chatted about their Experiences and how Ennui had tricked everyone)  Joy: YOU DID IT ENNUI!  Ennui: (Laughing) MERCI!  Fear: YOU SHOWED HIM!  Anger: YOU ARE ALWAYS THE BOREDOM!  Ennui: MERCI ANGER! (Grabs Phone) TO MOI! THE BOREDOM!  (The 8 Emotions cheered as Ennui fell back on the Seat and played on her phone)  Joy: CLASSIC ENNUI MOVE!  (They left home)  *SCENE 12 - The Normalcy of Ennui.  (Headquarters)  Joy: Ennui Ready for this?  Ennui: (Sits on the couch on her phone smiles) Oui!  Fear: (Sees Riley at a Get up and Glow band concert) Ennui Now!  Ennui: (Goes up as she nudges Fear aside) Excuse-Moi (Presses Console with phone)  Riley: (Sarcastic) Oh I love to get up and Glow!  Riley Mom: (Laughs) You do dear!  Ennui: (Sighs) Merci for everything guys!  Joy: No more fitness journeys okay?  Ennui: (Smiles) It’s the one time thing next year it will be Located in a Different Location and Riley can be bored but it’s never boring! (Sees the poor Fitness Coach Sobbing on the Couch of his Jail cell) OOH  Joy: ENNUI YOU OKAY? Ennui: (Shaking Nervously) I GOTTA GO VISIT THE JAIL CELL (Ran out)  (Jail Cell)  Ennui: (Visits Fitness Coach in Jail) BONJOUR  Fitness Coach: ENNUI! YOU CAME TO SEE ME?!! Ennui: OUI I DECIDED THAT YOU NEEDED TO SEE MOI (Hands in Flowers) SORRY FOR THE PRANK I WAS NOT BEING HONEST  Fitness Coach: NO ENNUI IT NOT YOUR FAULT YOU WERE NOT DESIGNED TO BECOME BUFF AND THAT BODY SUIT WAS JUST A DECOY AND WELL I WAS BEING HARD ON YOU  Ennui: TRUE BUT LETS BYGONE BE BYGONE OKAY? IT OVER NOW  Fitness Coach: YEAH THANKS ENNUI  (They hugged as they smiled)  Ennui: (Let’s out a Sob as the Fitness Coach wiped it away)  Cop: (Opens Jail Cell) YOU MAY GO  Ennui and the Fitness Coach: (Release the Hug) WAIT WHAT?!! (Ennui said Ouoi due to her French)  Fitness Coach: (Looks at the Chief) WAIT! WHAT? I AM FREE!  Cop: YES WE REALIZED THAT WE TOOK YOU OUT OF THE GYM AND I HEARD YOU TWO TALKING AND WELL WE DECIDED TO GIVE YOU ONE MORE CHANCE TO CHANGE YOURSELF AND FIX YOUR MISTAKES!  Ennui and Fitness Coach: (Cheering)  Ennui: MERCI CHIEF!  Fitness Coach: OOH THANKS CHIEF! I KNOW HOW TO FIX THIS!  (Headquarters Gym)  (Joy and the 8 Emotions were lounging on Beach Chairs as they had Drinks and they were in a Beach like setting and the Fitness Coach was in the Gym training everyone else)  Fitness Coach: (Offscreen) PUSH THROUGH THE PAIN!!! Joy: WOW ENNUI! YOU ROCKED IN THE CONCERT YESTERDAY!  Ennui: (Laughing) HAHA! OUI! HE HEARNED HIS LESSON! LOOK AT HIM! TRAINING THE HUMANS BUT WITHOUT THE BODY SUIT THOUGH  Anger: ALL WELL IT ENDS WELL  Joy: YES!  Ennui: (Laughs) SO OUOI THE NEXT YEAR CONCERT LOCATION!  Joy: AT OOH ENNUI THIS IS PERFECT! THIS PLACE IS AT YOUR OLD HOMETOWN AT THE ROYAL PALACE!  Ennui: PERFECT!  (The 9 Emotions all Laughed as the Episode ended)  (The End)

Ennui’s fitness Journey new version!  (Alternate Title: Ennui Gets Strong!)  Plot: Ennui wants to Sing “I’m Bored: Enn...