Vestito lungo satinato stampa pois con pizzo su spacco.Lunghezza 120 cm.pois rossi su fondo bianco.pizzo rosso

Vestito lungo satinato stampa pois con pizzo su spacco.Lunghezza 120 cm.pois rossi su fondo bianco.pizzo rosso

Vestito lungo satinato stampa pois con pizzo su spacco

Vestito lungo satinato stampa pois con pizzo su spacco

I want yellow dress long.

I want yellow dress long.

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly Do not add any flare shape to the bottom. Make it like a pencil skirt structure that gets smaller as it gets to the bottom. Add fringes to the bottom and do not make it off the shoulder. Make the designs floral and make the sash structured and still and with no layers. Add a slight design to the sash but make it thicker and more stiff. Make everything look traditional Yoruba style. And absolutely no flare at the bottom, no mermaid structure at all. Make the fan look more traditional with a fan shape and use the same fabric as the dress but make it more subtle with light embellishments. Make the sash structured and stuff with no flowyness. No flare or mermaid structure at the bottom of the dress at all

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly s...

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly Do not add any flare shape to the bottom. Make it like a pencil skirt structure that gets smaller as it gets to the bottom. Add fringes to the bottom and do not make it off the shoulder. Make the designs floral and make the sash structured and still and with no layers. Add a slight design to the sash but make it thicker and more stiff. Make everything look traditional Yoruba style. And absolutely no flare at the bottom, no mermaid structure at all. Make the fan look more traditional with a fan shape and use the same fabric as the dress

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly s...

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly Do not add any flare shape to the bottom. Make it like a pencil skirt structure that gets smaller as it gets to the bottom. Add fringes to the bottom and do not make it off the shoulder. Make the designs floral and make the sash structured and still and with no layers. Add a slight design to the sash but make it thicker and more stiff. Make everything look traditional Yoruba style. And absolutely no flare at the bottom, no mermaid structure at all.

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly s...

Indian lehenga skirt

Indian lehenga skirt

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly Do not add any flare shape to the bottom. Make it like a pencil skirt structure that gets smaller as it gets to the bottom. Add fringes to the bottom and do not make it off the shoulder. Make the designs floral and make the sash structured and still and with no layers.

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly s...

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly s...

a red grey and white school jersey for matric written seniors class of 2026

a red grey and white school jersey for matric written seniors class of 2026

a red grey and white school jersey for matric written seniors class of 2026

a red grey and white school jersey for matric written seniors class of 2026

Oversized kids T-shirt Colour white With embroidery sun on the chest and black print under the sun ( sunny) On the back in the middle starting up embroidered sun and under the sun embroidered crab under the crab embroidered sea wave

Oversized kids T-shirt Colour white With embroidery sun on the chest and black print under the sun ( sunny) On the back...

Tight dress especially around the waist, light pink and shell like colour's with lace sleeves which hang and a tail by the feet, a deep v neck down to the stomach but not below the belly button. Must have themed be shimmering

Tight dress especially around the waist, light pink and shell like colour's with lace sleeves which hang and a tail by t...

Tight dress especially around the waist, light pink and shell like colour's with lace sleeves which hang and a tail by the feet, a deep v neck down to the stomach but not below the belly button. Must have themed be shimmering

Tight dress especially around the waist, light pink and shell like colour's with lace sleeves which hang and a tail by t...

Design a beautiful pregnancy belly bump gown it should have Cameroonian cultural patterns with a beautiful raindrop shoulders with a big flower add beading were necessary

Design a beautiful pregnancy belly bump gown it should have Cameroonian cultural patterns with a beautiful raindrop shou...

Design a beautiful pregnancy belly bump gown it should have Cameroonian cultural patterns with a beautiful raindrop shoulders with a big flower

Design a beautiful pregnancy belly bump gown it should have Cameroonian cultural patterns with a beautiful raindrop shou...

Design a beautiful flow gown without a corset, it should have Cameroonian Bamenda cultural patterns with a beautiful raindrop shoulders

Design a beautiful flow gown without a corset, it should have Cameroonian Bamenda cultural patterns with a beautiful rai...

A beautiful dress, with beaded long sleeves, and a big flower that extend out with dripping diamonds like rain on one of the shoulders, the corset should have an African traditional pattern, the bottom should be a straight pencil like flow with beadings and it should have a cape with the same African traditional pattern as the corset add a nice head peace and a beautiful beaded African fan

A beautiful dress, with beaded long sleeves, and a big flower that extend out with dripping diamonds like rain on one of...

A beautiful dress, with beaded long sleeves, and a big flower that extend out with dripping diamonds like rain on one of the shoulders, the corset should have an African traditional pattern, the bottom should be a straight pencil like flow with beadings and it should have a cape with the same African traditional pattern as the corset add a nice head peace and a beautiful beaded African fan

A beautiful dress, with beaded long sleeves, and a big flower that extend out with dripping diamonds like rain on one of...

A beautiful dress, with beaded long sleeves, and a big flower that extend out with dripping diamonds like rain on one of the shoulders, the corset should have an African traditional pattern, the bottom should be a straight pencil like flow with beadings and it should have a cape with the same African traditional pattern as the corset

A beautiful dress, with beaded long sleeves, and a big flower that extend out with dripping diamonds like rain on one of...

A beautiful red carpet vibe dress, with long sleeves, and a big flower on one of the shoulders, the corset should have a traditional pattern, the bottom should be a straight pencil like flow with bearings and it should have a cape with the same traditional pattern as the corset

A beautiful red carpet vibe dress, with long sleeves, and a big flower on one of the shoulders, the corset should have a...

Red Carpet shirt and skirt tea Length

Red Carpet shirt and skirt tea Length

Red Carpet Wedding Dress tea Length

Red Carpet Wedding Dress tea Length

Red Carpet Wedding Dress tea Length

Red Carpet Wedding Dress tea Length

Red Carpet Wedding Dress tea Length

Red Carpet Wedding Dress tea Length

Luxury modest dresses and classic unique abayas

Luxury modest dresses and classic unique abayas

Need a summer dress outfit thats very street style colorful and comfortable. I love the use of laces and scallop trims

Need a summer dress outfit thats very street style colorful and comfortable. I love the use of laces and scallop trims

Flowery summer modest dress for hijabi women should be breathable but not see through

Flowery summer modest dress for hijabi women should be breathable but not see through

Create a damselfly for streetwear under the techno culture fusion using demin and floral fabrics for two

Create a damselfly for streetwear under the techno culture fusion using demin and floral fabrics for two

Design a silk twilly that is 5x86cm that is for the world cup 2026 for England. Keep it super simple with no words or logos

Design a silk twilly that is 5x86cm that is for the world cup 2026 for England. Keep it super simple with no words or lo...

Design a silk twilly that is 5x86cm that is for the world cup 2026 for England. Keep it super simple

Design a silk twilly that is 5x86cm that is for the world cup 2026 for England. Keep it super simple

Design a silk twilly that is 5x86cm that is for the world cup 2026 for England

Design a silk twilly that is 5x86cm that is for the world cup 2026 for England

I want the dress to have a very detailed dress that’s slim with this wave type of thing behind the head part and I want to very beachy ocean style dress that’s blue and bedazzled and I just want the sketching not any model in it

I want the dress to have a very detailed dress that’s slim with this wave type of thing behind the head part and I want ...

فستان من العصر اليوناني

فستان من العصر اليوناني

Create and Aso oke Yoruba bride traditional outfit. A tan colored Aso oke with blue well structured beaded design

Create and Aso oke Yoruba bride traditional outfit. A tan colored Aso oke with blue well structured beaded design

A girl with purple hair and green eyes and purple leather vest with a dragon on the back and purple leather pants black boots and a purple square bag with a dragon 10 years old

A girl with purple hair and green eyes and purple leather vest with a dragon on the back and purple leather pants black ...

A girl with purple hair and green eyes and purple leather vest with a dragon on the back and purple leather pants black boots and a purple square bag with a dragon 10 years old

A girl with purple hair and green eyes and purple leather vest with a dragon on the back and purple leather pants black ...

A girl with royal blue hair a white shirt that says fairest in black drip letters blue short sleeve a red shirt and red leggings and blue boots a a blue blazer with a with a heart with a crown on the back and a crown with a heart on it and a red removable skirt 10 year old

A girl with royal blue hair a white shirt that says fairest in black drip letters blue short sleeve a red shirt and re...

A girl with royal blue hair a white shirt that says fairest in black drip letters blue short sleeve a red shirt and red leggings and blue boots a a blue blazer with a with a heart with a crown on the back

A girl with royal blue hair a white shirt that says fairest in black drip letters blue short sleeve a red shirt and re...

Trouser with strass in silver and in the pockets put pink strass heart in color pink

Trouser with strass in silver and in the pockets put pink strass heart in color pink

Hazme una sudadera de cierre, chamarra y playera de manda larga, de los colores vino, dorado y beige, dame diferentes opciones , nada más incluye de letras “NOBLEZA CHARRA” para una mujer de 18 años , pero que lo de obleas lo tenga atrás , quítale el nobleza de enfrente

Hazme una sudadera de cierre, chamarra y playera de manda larga, de los colores vino, dorado y beige, dame diferentes op...

Hazme una sudadera de cierre, chamarra y playera de manda larga, de los colores vino, dorado y beige, dame diferentes opciones , nada más incluye de letras “NOBLEZA CHARRA” para una mujer de 18 años , pero que lo de obleas lo tenga atrás

Hazme una sudadera de cierre, chamarra y playera de manda larga, de los colores vino, dorado y beige, dame diferentes op...