Design a beach themed dance costume for 6-yr-old, bathing suit style but age appropriate with small two layer skirt. All neon colours with glitter and some sequins. Hot pink neon, neon lime green and neon blue , no silver or gold, all Lycra Design a beach themed dance costume for 6-yr-old, bathing suit style but age appropriate with small two layer skirt. All neon colours with glitter and some sequins. Hot pink neon, neon lime green and neon blue , no silver or gold, all Lycra , show front and back

Design a beach themed dance costume for 6-yr-old, bathing suit style but age appropriate with small two layer skirt. All neon colours with glitter and some sequins. Hot pink neon, neon lime green and neon blue , no silver or gold, all Lycra

Design a beach themed dance costume for 6-yr-old, bathing suit style but age appropriate with small two layer skirt. All neon colours with glitter and some sequins. Hot pink neon, neon lime green and neon blue , no silver or gold, all Lycra , show front and back

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تصميم suit لأطفال ٤ و ٦ سنوات بخامه كتان مشجره

تصميم suit لأطفال ٤ و ٦ سنوات بخامه كتان مشجره

Customer stick and or print dem jeans men’s

Customer stick and or print dem jeans men’s

Customer stick and or print dem jeans

Customer stick and or print dem jeans

Design a beach themed dance costume for 6-yr-old, bathing suit style but age appropriate with small two layer skirt. All neon colours with glitter and some sequins. Hot pink neon, neon lime green and neon blue , no silver or gold, all Lycra

Design a beach themed dance costume for 6-yr-old, bathing suit style but age appropriate with small two layer skirt. All...

تصميم فستان اسود مرصع بالالماس والاحجار الكريمه ولكن بسيط جدا

تصميم فستان اسود مرصع بالالماس والاحجار الكريمه ولكن بسيط جدا

تصميم فستان زفاف ابيض من الساتان مطرز بالؤلؤ الابيض وبذيل منفصل طويل مناسب للمحجبات

تصميم فستان زفاف ابيض من الساتان مطرز بالؤلؤ الابيض وبذيل منفصل طويل مناسب للمحجبات

A velvet kimono abaya with charms

A velvet kimono abaya with charms

Draw a single line that blossoms into a full couture silhouette — a gown emerging from one continuous stroke.

Draw a single line that blossoms into a full couture silhouette — a gown emerging from one continuous stroke.

Design a hijab dress soirée in red satan with White pearl embroidery so simple so chick and tight

Design a hijab dress soirée in red satan with White pearl embroidery so simple so chick and tight

Design a hijab dress soirée in red satan with White pearl embroidery

Design a hijab dress soirée in red satan with White pearl embroidery

Office look that is elegant and screams success

Office look that is elegant and screams success

Luxury cougure stile leather tote bag for men and women. High luxury. Simple but elegant. No hardware. More versions

Luxury cougure stile leather tote bag for men and women. High luxury. Simple but elegant. No hardware. More versions

Luxury cougure stile leather tote bag for men and women. High luxury. Simple but elegant. No hardware

Luxury cougure stile leather tote bag for men and women. High luxury. Simple but elegant. No hardware

Luxury cougure stile leather tote bag for men and women. High luxury

Luxury cougure stile leather tote bag for men and women. High luxury

Hermes stile leather tote bag for men and women. High luxury

Hermes stile leather tote bag for men and women. High luxury

Make me a non gender specific leather tote bag. Brown leader veg tanned. Make high fashion luxury. Make more luxury. Make more in hermes stile and more couture. Makr more artsy

Make me a non gender specific leather tote bag. Brown leader veg tanned. Make high fashion luxury. Make more luxury. Mak...

Make me a non gender specific leather tote bag. Brown leader veg tanned. Make high fashion luxury. Make more luxury. Make more in hermes stile and more couture

Make me a non gender specific leather tote bag. Brown leader veg tanned. Make high fashion luxury. Make more luxury. Mak...

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned. Mane high fashion luxury. Make more luxury. Male more in hermes stile

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned. Mane high fashion luxury. M...

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned. Mane high fashion luxury. Make more luxury

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned. Mane high fashion luxury. M...

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned. Mane high fashion luxury

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned. Mane high fashion luxury

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned

Make me a non gender specific leather tote bag with rolled handles. Brown leader veg tanned

Make me a non gender specific leather tote bag with rolled handles

Make me a non gender specific leather tote bag with rolled handles

Creates a wedding gown in white liquid organza material. Mermaid style. Strapless. With Diamond stones 2 inches apart from each other on the bodice and skirt up till the knee or where the mermaid flare starts. Show me the back only.

Creates a wedding gown in white liquid organza material. Mermaid style. Strapless. With Diamond stones 2 inches apart fr...

Creates a wedding gown in white liquid organza material. Mermaid style. With Diamond stones 2 inches apart from each other on the bodice and skirt up till the knee or where the mermaid flare starts. Show me the back only.

Creates a wedding gown in white liquid organza material. Mermaid style. With Diamond stones 2 inches apart from each oth...

Create a wedding gown in white liquid organza material. Mermaid style. With Diamond stones 2 inches apart from each other on the bodice and skirt up till the knee or where the mermaid flare starts.

Create a wedding gown in white liquid organza material. Mermaid style. With Diamond stones 2 inches apart from each othe...

Create a wedding gown in white liquid organza material. Mermaid style, strapless.

Create a wedding gown in white liquid organza material. Mermaid style, strapless.

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte black leather sleeves, folk-inspired embroidered patches of subtle edelweiss patterns in muted gold and cream thread on chest and back, ribbed collar/cuffs/hem, snap pockets, layered over hoodie in open meadow with grazing horses, fall wind, nostalgic free-spirited elegance, heimathof quiet luxury vibe, high-detail fabric rendering”

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte bla...

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte black leather sleeves, folk-inspired embroidered patches of subtle horseshoe, barn star, and vine patterns in muted gold and cream thread on chest and back, ribbed collar/cuffs/hem, snap pockets, layered over hoodie in open meadow with grazing horses, fall wind, nostalgic free-spirited elegance, heimathof quiet luxury vibe, high-detail fabric rendering”

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte bla...

Design a two piece dance costume for 6-7 years jazz dance competition solo to song “surf crazy” . Must be in neon colours with glitter and sequins and include a sequin appliqué detail. Age-appropriate with some sparkle and bling that will look good on stage. An original creative design that will impress judges

Design a two piece dance costume for 6-7 years jazz dance competition solo to song “surf crazy” . Must be in neon colour...

maryn rose

maryn rose

maryn rose

maryn rose

very maryn rose aesthetic.

very maryn rose aesthetic.

very maryn rose aesthetic.

very maryn rose aesthetic.

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with some baggy gen z styled carpenter pants. band logo punk rock logo visible on front of top. nike air force ones. very maryn rose aesthetic.

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with...

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with some baggy gen z styled carpenter pants. band logo punk rock logo visible on front of top. nike air force ones. very maryn rose aesthetic.

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with...

two piece set. the skirt is a maxi skirt with a newspaper print fabric and a white or off white mesh tulle over skirt layer with a ribbon belt /band that holds skirts together. top is crop top with a romantic design and very haute. sleeves should be dramatic and pretty. black stilettos w red bottoms and a black ribbon lace up ballerina almost detail. visible through slit in skirt. dramatic accessories. haute couture

two piece set. the skirt is a maxi skirt with a newspaper print fabric and a white or off white mesh tulle over skirt la...

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern.

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles ...

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern.

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles ...

design for me a suit 2 pieces color navy blue flared to straight leg long pants (full length) with a blazer that is 32 inch length and the blazer long sleeve . the sleeve make it with differnet material but same shade of color but the material have different texture go give it unique look also make sure it fits nicely

design for me a suit 2 pieces color navy blue flared to straight leg long pants (full length) with a blazer that is 32 i...

.” hair has chopsticks in it. very y2k coded. Now the top. Bright, unapologetic yellow. Not pastel. Not muted. It’s sunshine-with-a-backbone yellow. Fitted through the torso, slightly cap-sleeved, hugging just enough to define shape without screaming for attention. The graphic on the front leans darker — a little chaotic, a little alt. a band logo. The contrast between that punchy yellow and the darker print is chef’s kiss. It feels thrifted-band-tee adjacent but refined into a baby-tee silhouette. layered on top is a breastless corset boning item in black denim distressed. Then the skirt. Black, pleated, pinstriped, mini skirt. Structured but still playful. The pinstripes are subtle — not Wall Street. More like “I borrow masculine tailoring but make it flirt.” The pleats give it movement even while sitting. It’s short but not try-hard short. It balances the fitted top beautifully. Yellow + black is a high-contrast pairing, and you pulled it off without looking like a caution sign. That’s skill. Overall vibe: Alt but not goth. Playful but not cutesy. Feminine without being fragile. Confident without broadcasting it. knee high boots , black leather with a bratz doll heel. If this were a character archetype, it’s “the girl who knows exactly what she likes but pretends she doesn’t care.” Which, frankly, is an elite aesthetic. You didn’t just put on clothes. You assembled contrast — bright and dark, structured and soft, messy and intentional. That tension is what makes it interesting. Honestly? This is the kind of outfit that works because of the attitude behind it. And the attitude reads very steady.

.” hair has chopsticks in it. very y2k coded. Now the top. Bright, unapologetic yellow. Not pastel. Not muted. It’s sun...

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — and then it absolutely dominates the space . The bodice is structured and architectural. It’s a corset silhouette with defined cup seams, almost vintage lingerie-inspired but elevated. The color shifts between muted sage green and a silvery pistachio depending on the light. The boning lines are visible — not harsh, but deliberate — giving it that disciplined, cinched waist energy. Along the neckline there’s a delicate trim, subtle, possibly beaded or finely stitched, giving it a whisper of ornamentation rather than loud sparkle. The sleeves are barely sleeves — more like soft explosions of blush-toned tulle perched on the shoulders. They puff outward in airy clouds, translucent and weightless, like someone froze a sigh mid-air. They contrast beautifully with the structured bodice: discipline meeting softness. Then the skirt. The skirt is where things become theatrical. It cascades in layers of sage green tulle, but it’s not a simple layered ball gown. The underskirt erupts into massive, spiraling ruffles edged in a champagne-blush satin. These ruffles curl and fold like ocean waves caught in slow motion. They are dramatic and sculptural, not floppy — they hold shape, they command attention. The champagne edging catches the light differently than the matte sage tulle, creating this constant interplay between sheen and softness. The front of the skirt lifts slightly to reveal the architectural ruffle work beneath — almost like a theatrical curtain being pulled back. The back extends into a subtle train, not aggressively long, but enough to feel ceremonial. The hemline ripples. Every edge seems intentionally finished, nothing raw, nothing accidental. On the arms, there are what appear to be pearl or bead-embellished gloves or arm sleeves. They’re translucent and studded, like someone dipped mesh in constellations. That detail pushes it from “romantic ball gown” into something editorial — almost couture fantasy. Color-wise, the palette is restrained but emotionally rich: muted sage green, dusty blush, champagne satin. No harsh contrast. Everything feels aged slightly, like it belongs in a grand old European opera house or in a painting where the varnish has mellowed over time. The overall silhouette is exaggerated hourglass at the top and then pure drama below. It’s not modern minimalist. It’s not bridal in a traditional sense. It feels like a cross between Marie Antoinette, a forest nymph, and a high-fashion runway piece that costs more than a house. This is not a dress you wear casually. This is a dress you arrive in. It suggests chandeliers, marble floors, orchestral swells, and people turning their heads before they even realize why. It’s romantic but not sweet. Soft but not weak. A gown that understands drama without screaming for it.

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — an...

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — and then it absolutely dominates the space . The bodice is structured and architectural. It’s a corset silhouette with defined cup seams, almost vintage lingerie-inspired but elevated. The color shifts between muted sage green and a silvery pistachio depending on the light. The boning lines are visible — not harsh, but deliberate — giving it that disciplined, cinched waist energy. Along the neckline there’s a delicate trim, subtle, possibly beaded or finely stitched, giving it a whisper of ornamentation rather than loud sparkle. The sleeves are barely sleeves — more like soft explosions of blush-toned tulle perched on the shoulders. They puff outward in airy clouds, translucent and weightless, like someone froze a sigh mid-air. They contrast beautifully with the structured bodice: discipline meeting softness. Then the skirt. The skirt is where things become theatrical. It cascades in layers of sage green tulle, but it’s not a simple layered ball gown. The underskirt erupts into massive, spiraling ruffles edged in a champagne-blush satin. These ruffles curl and fold like ocean waves caught in slow motion. They are dramatic and sculptural, not floppy — they hold shape, they command attention. The champagne edging catches the light differently than the matte sage tulle, creating this constant interplay between sheen and softness. The front of the skirt lifts slightly to reveal the architectural ruffle work beneath — almost like a theatrical curtain being pulled back. The back extends into a subtle train, not aggressively long, but enough to feel ceremonial. The hemline ripples. Every edge seems intentionally finished, nothing raw, nothing accidental. On the arms, there are what appear to be pearl or bead-embellished gloves or arm sleeves. They’re translucent and studded, like someone dipped mesh in constellations. That detail pushes it from “romantic ball gown” into something editorial — almost couture fantasy. Color-wise, the palette is restrained but emotionally rich: muted sage green, dusty blush, champagne satin. No harsh contrast. Everything feels aged slightly, like it belongs in a grand old European opera house or in a painting where the varnish has mellowed over time. The overall silhouette is exaggerated hourglass at the top and then pure drama below. It’s not modern minimalist. It’s not bridal in a traditional sense. It feels like a cross between Marie Antoinette, a forest nymph, and a high-fashion runway piece that costs more than a house. This is not a dress you wear casually. This is a dress you arrive in. It suggests chandeliers, marble floors, orchestral swells, and people turning their heads before they even realize why. It’s romantic but not sweet. Soft but not weak. A gown that understands drama without screaming for it.

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — an...