valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern. valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern. , artsy style

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern.

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern. , artsy style

See More

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte black leather sleeves, folk-inspired embroidered patches of subtle edelweiss patterns in muted gold and cream thread on chest and back, ribbed collar/cuffs/hem, snap pockets, layered over hoodie in open meadow with grazing horses, fall wind, nostalgic free-spirited elegance, heimathof quiet luxury vibe, high-detail fabric rendering”

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte bla...

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte black leather sleeves, folk-inspired embroidered patches of subtle horseshoe, barn star, and vine patterns in muted gold and cream thread on chest and back, ribbed collar/cuffs/hem, snap pockets, layered over hoodie in open meadow with grazing horses, fall wind, nostalgic free-spirited elegance, heimathof quiet luxury vibe, high-detail fabric rendering”

Unisex Bomber Jacket with Patchwork Folk Elements
“Unisex satin-finish bomber jacket in deep forest green with matte bla...

Design a two piece dance costume for 6-7 years jazz dance competition solo to song “surf crazy” . Must be in neon colours with glitter and sequins and include a sequin appliqué detail. Age-appropriate with some sparkle and bling that will look good on stage. An original creative design that will impress judges

Design a two piece dance costume for 6-7 years jazz dance competition solo to song “surf crazy” . Must be in neon colour...

maryn rose

maryn rose

maryn rose

maryn rose

very maryn rose aesthetic.

very maryn rose aesthetic.

very maryn rose aesthetic.

very maryn rose aesthetic.

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with some baggy gen z styled carpenter pants. band logo punk rock logo visible on front of top. nike air force ones. very maryn rose aesthetic.

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with...

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with some baggy gen z styled carpenter pants. band logo punk rock logo visible on front of top. nike air force ones. very maryn rose aesthetic.

long sleeve top with “maryn” on one sleeve and “rose” on the other. too itself is champagne and muted peach paired with...

two piece set. the skirt is a maxi skirt with a newspaper print fabric and a white or off white mesh tulle over skirt layer with a ribbon belt /band that holds skirts together. top is crop top with a romantic design and very haute. sleeves should be dramatic and pretty. black stilettos w red bottoms and a black ribbon lace up ballerina almost detail. visible through slit in skirt. dramatic accessories. haute couture

two piece set. the skirt is a maxi skirt with a newspaper print fabric and a white or off white mesh tulle over skirt la...

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern.

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles ...

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles and belts across the midriff and same red pleather straps with buckles as straps of dress. under is a red fish net long sleeve top with attached gloves of the same material. thigh high red leather boots . mini umbrella made of newspaper print fabric and lace trim like the umbrellas used in the victorian era. very romantic. very vintage coded yet surprisingly modern.

valentine’s day dress with mini dress hem line and lace trim top is structured bone in corset with red pleather buckles ...

design for me a suit 2 pieces color navy blue flared to straight leg long pants (full length) with a blazer that is 32 inch length and the blazer long sleeve . the sleeve make it with differnet material but same shade of color but the material have different texture go give it unique look also make sure it fits nicely

design for me a suit 2 pieces color navy blue flared to straight leg long pants (full length) with a blazer that is 32 i...

.” hair has chopsticks in it. very y2k coded. Now the top. Bright, unapologetic yellow. Not pastel. Not muted. It’s sunshine-with-a-backbone yellow. Fitted through the torso, slightly cap-sleeved, hugging just enough to define shape without screaming for attention. The graphic on the front leans darker — a little chaotic, a little alt. a band logo. The contrast between that punchy yellow and the darker print is chef’s kiss. It feels thrifted-band-tee adjacent but refined into a baby-tee silhouette. layered on top is a breastless corset boning item in black denim distressed. Then the skirt. Black, pleated, pinstriped, mini skirt. Structured but still playful. The pinstripes are subtle — not Wall Street. More like “I borrow masculine tailoring but make it flirt.” The pleats give it movement even while sitting. It’s short but not try-hard short. It balances the fitted top beautifully. Yellow + black is a high-contrast pairing, and you pulled it off without looking like a caution sign. That’s skill. Overall vibe: Alt but not goth. Playful but not cutesy. Feminine without being fragile. Confident without broadcasting it. knee high boots , black leather with a bratz doll heel. If this were a character archetype, it’s “the girl who knows exactly what she likes but pretends she doesn’t care.” Which, frankly, is an elite aesthetic. You didn’t just put on clothes. You assembled contrast — bright and dark, structured and soft, messy and intentional. That tension is what makes it interesting. Honestly? This is the kind of outfit that works because of the attitude behind it. And the attitude reads very steady.

.” hair has chopsticks in it. very y2k coded. Now the top. Bright, unapologetic yellow. Not pastel. Not muted. It’s sun...

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — and then it absolutely dominates the space . The bodice is structured and architectural. It’s a corset silhouette with defined cup seams, almost vintage lingerie-inspired but elevated. The color shifts between muted sage green and a silvery pistachio depending on the light. The boning lines are visible — not harsh, but deliberate — giving it that disciplined, cinched waist energy. Along the neckline there’s a delicate trim, subtle, possibly beaded or finely stitched, giving it a whisper of ornamentation rather than loud sparkle. The sleeves are barely sleeves — more like soft explosions of blush-toned tulle perched on the shoulders. They puff outward in airy clouds, translucent and weightless, like someone froze a sigh mid-air. They contrast beautifully with the structured bodice: discipline meeting softness. Then the skirt. The skirt is where things become theatrical. It cascades in layers of sage green tulle, but it’s not a simple layered ball gown. The underskirt erupts into massive, spiraling ruffles edged in a champagne-blush satin. These ruffles curl and fold like ocean waves caught in slow motion. They are dramatic and sculptural, not floppy — they hold shape, they command attention. The champagne edging catches the light differently than the matte sage tulle, creating this constant interplay between sheen and softness. The front of the skirt lifts slightly to reveal the architectural ruffle work beneath — almost like a theatrical curtain being pulled back. The back extends into a subtle train, not aggressively long, but enough to feel ceremonial. The hemline ripples. Every edge seems intentionally finished, nothing raw, nothing accidental. On the arms, there are what appear to be pearl or bead-embellished gloves or arm sleeves. They’re translucent and studded, like someone dipped mesh in constellations. That detail pushes it from “romantic ball gown” into something editorial — almost couture fantasy. Color-wise, the palette is restrained but emotionally rich: muted sage green, dusty blush, champagne satin. No harsh contrast. Everything feels aged slightly, like it belongs in a grand old European opera house or in a painting where the varnish has mellowed over time. The overall silhouette is exaggerated hourglass at the top and then pure drama below. It’s not modern minimalist. It’s not bridal in a traditional sense. It feels like a cross between Marie Antoinette, a forest nymph, and a high-fashion runway piece that costs more than a house. This is not a dress you wear casually. This is a dress you arrive in. It suggests chandeliers, marble floors, orchestral swells, and people turning their heads before they even realize why. It’s romantic but not sweet. Soft but not weak. A gown that understands drama without screaming for it.

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — an...

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — and then it absolutely dominates the space . The bodice is structured and architectural. It’s a corset silhouette with defined cup seams, almost vintage lingerie-inspired but elevated. The color shifts between muted sage green and a silvery pistachio depending on the light. The boning lines are visible — not harsh, but deliberate — giving it that disciplined, cinched waist energy. Along the neckline there’s a delicate trim, subtle, possibly beaded or finely stitched, giving it a whisper of ornamentation rather than loud sparkle. The sleeves are barely sleeves — more like soft explosions of blush-toned tulle perched on the shoulders. They puff outward in airy clouds, translucent and weightless, like someone froze a sigh mid-air. They contrast beautifully with the structured bodice: discipline meeting softness. Then the skirt. The skirt is where things become theatrical. It cascades in layers of sage green tulle, but it’s not a simple layered ball gown. The underskirt erupts into massive, spiraling ruffles edged in a champagne-blush satin. These ruffles curl and fold like ocean waves caught in slow motion. They are dramatic and sculptural, not floppy — they hold shape, they command attention. The champagne edging catches the light differently than the matte sage tulle, creating this constant interplay between sheen and softness. The front of the skirt lifts slightly to reveal the architectural ruffle work beneath — almost like a theatrical curtain being pulled back. The back extends into a subtle train, not aggressively long, but enough to feel ceremonial. The hemline ripples. Every edge seems intentionally finished, nothing raw, nothing accidental. On the arms, there are what appear to be pearl or bead-embellished gloves or arm sleeves. They’re translucent and studded, like someone dipped mesh in constellations. That detail pushes it from “romantic ball gown” into something editorial — almost couture fantasy. Color-wise, the palette is restrained but emotionally rich: muted sage green, dusty blush, champagne satin. No harsh contrast. Everything feels aged slightly, like it belongs in a grand old European opera house or in a painting where the varnish has mellowed over time. The overall silhouette is exaggerated hourglass at the top and then pure drama below. It’s not modern minimalist. It’s not bridal in a traditional sense. It feels like a cross between Marie Antoinette, a forest nymph, and a high-fashion runway piece that costs more than a house. This is not a dress you wear casually. This is a dress you arrive in. It suggests chandeliers, marble floors, orchestral swells, and people turning their heads before they even realize why. It’s romantic but not sweet. Soft but not weak. A gown that understands drama without screaming for it.

This dress looks like it was designed by someone who understands both ballet and warfare. It’s soft, romantic, airy — an...

Dope

Dope

Maroon Summer Crochet Top — Design Plan Inspiration from image: ✔ Sleeveless structured top ✔ Clean neckline ✔ Light, breathable stitch texture ✔ Slightly fitted but relaxed summer look Your custom changes: • ✅ Dominant colour: Maroon • ✅ Rows of yellow + orange accents • ✅ Flowery lace stitch near neckline (chest area) • ✅ Elegant but airy summer finish ⸻ 🧶 Yarn & Hook Recommendation Since you usually work with Yeye 3-ply held double: • Yarn: Yeye 3-ply (double strand) • Colours: • Maroon — 70% (main yarn) • Yellow — 15% • Orange — 15% • Hook size: • 4 mm → neat structured look (recommended) • 4.5 mm → softer drape ⸻ 🪡 Stitch Structure (Top Sections) The top will be worked bottom → upward. 1️⃣ Body Section (Dominant Maroon) Use a breathable textured stitch similar to the reference image. Recommended stitch: ✔ Mini mesh / modified V-stitch Pattern repeat: Row 1: DC across Row 2: (DC, ch1, skip 1 st) repeat Row 3: DC into each DC and ch space Repeat Rows 2–3 This creates: • airflow for summer • neat structured texture • not overly transparent 👉 Work mostly in maroon. ⸻ 🎨 Colour Placement (Important for Balance) Keep maroon dominant by spacing accent rows intentionally. Example layout: 8 rows Maroon 1 row Yellow 6 rows Maroon 1 row Orange 8 rows Maroon 1 row Yellow Continue pattern ✅ Accent rows should be SINGLE rows only. This keeps elegance instead of looking striped. ⸻ 🌼 2️⃣ Chest Area — Flowery Lace Panel When you reach upper chest (about 3–4 inches below neckline) switch stitch pattern. Use yellow OR orange (choose ONE for cleaner design — I recommend yellow for brightness against maroon). Flower Lace Stitch (Simple & Elegant) Repeat multiple of 6 stitches Row 1: SC across Row 2: *(ch3, skip 2 sts, 5 DC in next st, skip 2 sts, SC)* repeat Row 3: *(ch5, SC between shells)* repeat Row 4: 5 DC into each ch5 space This creates: • small floral shell motifs • decorative chest highlight • feminine summer look Work 4–6 rows only to keep it classy. ⸻ 👚 3️⃣ Neckline Shaping After lace section: • Return to maroon yarn • Work tight stitches for structure: Row 1–3: Half Double Crochet (HDC) Shape slight curve: • Decrease 1 stitch each side every row for 3 rows. This gives the clean sleeveless neckline seen in the photo. ⸻ 💪 4️⃣ Armhole Finish Work directly around armholes: Round 1: SC evenly Round 2: Crab stitch (reverse SC) OR slip stitch edging Keeps edges firm and professional. ⸻ ✨ 5️⃣ Bottom Edge Finish Optional elegant finish: • 2 rows maroon SC • 1 row orange picot edging OR yellow picot edging Small colour echo ties design together. ⸻ 🎨 Visual Colour Balance (Very Important) Think of the top like this: NECKLINE — Maroon edging FLOWERY LACE — Yellow (or Orange) BODY — Mostly Maroon Thin Accent Rows — Yellow & Orange spaced apart HEM — Maroon with tiny accent edge

Maroon Summer Crochet Top — Design Plan Inspiration from image: ✔ Sleeveless structured top ✔ Clean neckline ✔ Light, b...

Eccentric dog cone cage pencil dress

Eccentric dog cone cage pencil dress

Dhoti: Warm dusty peach crepe Blouse: Same tone (add pearl tassel to the blouse) Jacket: 1 shade darker apricot (heavy Georgette fabric with lining and floor length jacket and with flares) Work: • Tone-on-tone thread embroidery • Vertical vine pattern • Minimal shimmer (no heavy zari)

Dhoti: Warm dusty peach crepe Blouse: Same tone (add pearl tassel to the blouse) Jacket: 1 shade darker apricot (heavy G...

Dhoti: Warm dusty peach crepe Blouse: Same tone Jacket: 1 shade darker apricot Work: • Tone-on-tone thread embroidery • Vertical vine pattern • Minimal shimmer (no heavy zari)

Dhoti: Warm dusty peach crepe Blouse: Same tone Jacket: 1 shade darker apricot Work: • Tone-on-tone thread embroidery ...

Dhoti: Matte sage georgette Blouse: Same sage, V-neck Jacket: Slightly deeper sage silk blend Work: • Vertical antique gold thread lines • Light embroidery on shoulders • Thin hem border only This will make you look taller and balanced.

Dhoti: Matte sage georgette Blouse: Same sage, V-neck Jacket: Slightly deeper sage silk blend Work: • Vertical antique...

Olive matte georgette dhoti + Deep moss silk-blend flared floor jacket + Antique gold vertical thread embroidery + Structured shoulder + Front open slit

Olive matte georgette dhoti + Deep moss silk-blend flared floor jacket + Antique gold vertical thread embroidery + Struc...

Off shoulder top

Off shoulder top

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhouette: Sharp collar Clean placket Elongated cuff Minimal shaping Poplin gives crisp contrast against all the heavy fabrics.

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhoue...

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhouette: Sharp collar Clean placket Elongated cuff Minimal shaping Poplin gives crisp contrast against all the heavy fabrics.

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhoue...

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhouette: Sharp collar Clean placket Elongated cuff Minimal shaping Poplin gives crisp contrast against all the heavy fabrics.

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhoue...

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhouette: Sharp collar Clean placket Elongated cuff Minimal shaping Poplin gives crisp contrast against all the heavy fabrics.

LOOK 6 — Precision Shirt Layer Main Fabric: Poplin Colour: 11-0604 TCX – Gardenia Layer Option: Under everything Silhoue...

LOOK 5 — Canvas Field Piece Main Fabric: Canvas Colour: 14-1118 TCX – Beige Contrast: 19-1213 TCX – Demitasse (binding or strap) Silhouette: Utility overskirt Structured vest Detachable apron layer Canvas in Beige gives that aged-map softness.

LOOK 5 — Canvas Field Piece Main Fabric: Canvas Colour: 14-1118 TCX – Beige Contrast: 19-1213 TCX – Demitasse (binding o...

LOOK 4 — Denim Command Main Fabric: Denim Colour: 19-0810 TCX – Wren Silhouette: Structured denim coat or overshirt Wide-leg denim trousers Reinforced seam panels Think dark industrial denim — not blue. Almost charcoal-brown.

LOOK 4 — Denim Command Main Fabric: Denim Colour: 19-0810 TCX – Wren Silhouette: Structured denim coat or overshirt Wide...

LOOK 3 — Industrial Tailored Suit Main Fabric: Drill Colour: 16-3802 TCX – Gray Flannel Accent: 19-1213 TCX – Demitasse (stitching or pocket detail) Silhouette: Cropped tailored jacket High-waisted straight trousers Strong seam lines Drill holds structure beautifully. Gray Flannel keeps it modern and severe.

LOOK 3 — Industrial Tailored Suit Main Fabric: Drill Colour: 16-3802 TCX – Gray Flannel Accent: 19-1213 TCX – Demitasse ...

LOOK 2 — Utility Dress Main Fabric: Cotton Twill Colour: 17-1044 TCX – Toast Secondary: 11-0604 TCX – Gardenia (underlayer or collar insert) Silhouette: Fitted bodice Structured waist seam Large patch pockets Metal snaps or buttons Midi length Toast reads like softened leather. Twill gives subtle military energy.

LOOK 2 — Utility Dress Main Fabric: Cotton Twill Colour: 17-1044 TCX – Toast Secondary: 11-0604 TCX – Gardenia (underlay...

Strapless dress color true purple white lace on the bottom of the dress with 9 blue roses starting in the right corner of the dress going up in a diagonal bit spread out

Strapless dress color true purple white lace on the bottom of the dress with 9 blue roses starting in the right corner o...

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (topstitch or belt) Silhouette: Long tailored trench Strong shoulder Sharp collar Deep cuff tabs Structured belt Gabardine gives crisp authority. Bungee Cord keeps it serious, not muddy.

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (to...

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (topstitch or belt) Silhouette: Long tailored trench Strong shoulder Sharp collar Deep cuff tabs Structured belt Gabardine gives crisp authority. Bungee Cord keeps it serious, not muddy.

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (to...

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (topstitch or belt) Silhouette: Long tailored trench Strong shoulder Sharp collar Deep cuff tabs Structured belt Gabardine gives crisp authority. Bungee Cord keeps it serious, not muddy.

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (to...

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (topstitch or belt) Silhouette: Long tailored trench Strong shoulder Sharp collar Deep cuff tabs Structured belt Gabardine gives crisp authority. Bungee Cord keeps it serious, not muddy.

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (to...

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (topstitch or belt) Silhouette: Long tailored trench Strong shoulder Sharp collar Deep cuff tabs Structured belt Gabardine gives crisp authority. Bungee Cord keeps it serious, not muddy.

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (to...

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (topstitch or belt) Silhouette: Long tailored trench Strong shoulder Sharp collar Deep cuff tabs Structured belt Gabardine gives crisp authority. Bungee Cord keeps it serious, not muddy.

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (to...

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (topstitch or belt) Silhouette: Long tailored trench Strong shoulder Sharp collar Deep cuff tabs Structured belt Gabardine gives crisp authority. Bungee Cord keeps it serious, not muddy.

LOOK 1 — The Authority Trench Main Fabric: Gabardine Colour: 18-1312 TCX – Bungee Cord Secondary: 19-0810 TCX – Wren (to...

Strapless dress color true purple white lace on the bottom of the dress with 9 blue roses starting in the right corner of the dress going up in a diagonal bit spread out

Strapless dress color true purple white lace on the bottom of the dress with 9 blue roses starting in the right corner o...

Mermaid dress straight top no straps heart cut out middle of the chest 3 inches 3 from the top of the dress slit open on left leg start of slit about 4 inches down from hip medium size diamond on top of start of slit white fade into sky blue half way down shimmer through out all the dress

Mermaid dress straight top no straps heart cut out middle of the chest 3 inches 3 from the top of the dress slit open on...