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A Female Dress design, suitable for Summer. FRONT VIEW Corset Blouse Structured fitted corset bodice in rich fuchsia pink Aso-Oke, boned seams creating a defined hourglass waist and elegant rounded bust shaping Queen Anne neckline rising to the shoulders, curving around the bust, dipping gently at centre front — edged in an olive-green lace yoke that frames the collarbone and upper chest while fuchsia Aso-Oke remains dominant below Neckline edge cut into large stylised petal-shaped scallops (5–6 petals), each petal outlined in delicate round beading in olive, deep green, and rose-gold Hem of the corset is a soft wave — three to four gentle rounded scallops flowing around the waist/hip — finished with a fine beaded border (not heavy) Left side of the bodice: a moderately-sized heart motif in olive-green beadwork, with a beaded capital "G" centred inside it, positioned just above the hip wave Sleeves Long, fitted olive-green lace sleeves following the arm closely At the wrist, an architectural twisted-petal cuff in fuchsia Aso-Oke — three to four overlapping sculptural folds that spiral outward like a partially opened flower, edge finished in subtle beading Skirt (Revised) Fitted olive-green lace mermaid skirt, close through the waist, hip, and thigh, then flaring dramatically into a mermaid silhouette from the knee down. Instead of a solid panel, the fuchsia pink Aso-Oke is cut and appliquéd directly onto the lace as a scattering of large stylised flower and leaf motifs — mirroring the floral appliqué concept in reference 3. Each "flower" is built from shaped Aso-Oke petals layered onto the lace base, with a few smaller leaf-shaped Aso-Oke pieces branching outward between them, so the effect reads as an organic floral vine climbing the skirt rather than a geometric block. The motifs are concentrated more heavily around the upper hip on one side, then trail off in size and frequency as they move diagonally down toward the mermaid flare — denser blooms near the hip, single scattered leaves/petals lower down, letting the olive lace breathe through the lower skirt. Each Aso-Oke flower and leaf edge is outlined with fine round beading in olive, deep green, and rose-gold, giving the appliqué a raised, couture, hand-finished look rather than a flat printed pattern. The overall effect: the olive lace remains the dominant base fabric, with the fuchsia Aso-Oke floral appliqué reading as a deliberate embroidered garden growing up from one hip — echoing the blouse's petal details without competing with it.. Nigeria fashion aesthetics. Present it as professional fashion catalogue photography: the garment is the subject, shown full-length with editorial styling, neutral posing and tasteful, non-suggestive framing. photorealistic fashion design, A Female Dress design, suitable for Summer. FRONT VIEW Corset Blouse Structured fitted corset bodice in rich fuchsia pink Aso-Oke, boned seams creating a defined hourglass waist and elegant rounded bust shaping Queen Anne neckline rising to the shoulders, curving around the bust, dipping gently at centre front — edged in an olive-green lace yoke that frames the collarbone and upper chest while fuchsia Aso-Oke remains dominant below Neckline edge cut into large stylised petal-shaped scallops (5–6 petals), each petal outlined in delicate round beading in olive, deep green, and rose-gold Hem of the corset is a soft wave — three to four gentle rounded scallops flowing around the waist/hip — finished with a fine beaded border (not heavy) Left side of the bodice: a moderately-sized heart motif in olive-green beadwork, with a beaded capital "G" centred inside it, positioned just above the hip wave Sleeves Long, fitted olive-green lace sleeves following the arm closely At the wrist, an architectural twisted-petal cuff in fuchsia Aso-Oke — three to four overlapping sculptural folds that spiral outward like a partially opened flower, edge finished in subtle beading Skirt (Revised) Fitted olive-green lace mermaid skirt, close through the waist, hip, and thigh, then flaring dramatically into a mermaid silhouette from the knee down. Instead of a solid panel, the fuchsia pink Aso-Oke is cut and appliquéd directly onto the lace as a scattering of large stylised flower and leaf motifs — mirroring the floral appliqué concept in reference 3. Each "flower" is built from shaped Aso-Oke petals layered onto the lace base, with a few smaller leaf-shaped Aso-Oke pieces branching outward between them, so the effect reads as an organic floral vine climbing the skirt rather than a geometric block. The motifs are concentrated more heavily around the upper hip on one side, then trail off in size and frequency as they move diagonally down toward the mermaid flare — denser blooms near the hip, single scattered leaves/petals lower down, letting the olive lace breathe through the lower skirt. Each Aso-Oke flower and leaf edge is outlined with fine round beading in olive, deep green, and rose-gold, giving the appliqué a raised, couture, hand-finished look rather than a flat printed pattern. The overall effect: the olive lace remains the dominant base fabric, with the fuchsia Aso-Oke floral appliqué reading as a deliberate embroidered garden growing up from one hip — echoing the blouse's petal details without competing with it.. Nigeria fashion aesthetics. Present it as professional fashion catalogue photography: the garment is the subject, shown full-length with editorial styling, neutral posing and tasteful, non-suggestive framing., just the design no text

A Female Dress design, suitable for Summer. FRONT VIEW Corset Blouse Structured fitted corset bodice in rich fuchsia pink Aso-Oke, boned seams creating a defined hourglass waist and elegant rounded bust shaping Queen Anne neckline rising to the shoulders, curving around the bust, dipping gently at centre front — edged in an olive-green lace yoke that frames the collarbone and upper chest while fuchsia Aso-Oke remains dominant below Neckline edge cut into large stylised petal-shaped scallops (5–6 petals), each petal outlined in delicate round beading in olive, deep green, and rose-gold Hem of the corset is a soft wave — three to four gentle rounded scallops flowing around the waist/hip — finished with a fine beaded border (not heavy) Left side of the bodice: a moderately-sized heart motif in olive-green beadwork, with a beaded capital "G" centred inside it, positioned just above the hip wave Sleeves Long, fitted olive-green lace sleeves following the arm closely At the wrist, an architectural twisted-petal cuff in fuchsia Aso-Oke — three to four overlapping sculptural folds that spiral outward like a partially opened flower, edge finished in subtle beading Skirt (Revised) Fitted olive-green lace mermaid skirt, close through the waist, hip, and thigh, then flaring dramatically into a mermaid silhouette from the knee down. Instead of a solid panel, the fuchsia pink Aso-Oke is cut and appliquéd directly onto the lace as a scattering of large stylised flower and leaf motifs — mirroring the floral appliqué concept in reference 3. Each "flower" is built from shaped Aso-Oke petals layered onto the lace base, with a few smaller leaf-shaped Aso-Oke pieces branching outward between them, so the effect reads as an organic floral vine climbing the skirt rather than a geometric block. The motifs are concentrated more heavily around the upper hip on one side, then trail off in size and frequency as they move diagonally down toward the mermaid flare — denser blooms near the hip, single scattered leaves/petals lower down, letting the olive lace breathe through the lower skirt. Each Aso-Oke flower and leaf edge is outlined with fine round beading in olive, deep green, and rose-gold, giving the appliqué a raised, couture, hand-finished look rather than a flat printed pattern. The overall effect: the olive lace remains the dominant base fabric, with the fuchsia Aso-Oke floral appliqué reading as a deliberate embroidered garden growing up from one hip — echoing the blouse's petal details without competing with it.. Nigeria fashion aesthetics. Present it as professional fashion catalogue photography: the garment is the subject, shown full-length with editorial styling, neutral posing and tasteful, non-suggestive framing.

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The explanation of scrub set is that I need a cool, pastel sky blue color with a slanted hem and a delicate, gingham col...

The explanation of scrub set is that I need a cool, pastel sky blue color with a slanted hem and a delicate, gingham collar. Between the collar and the hem, there are four buttons of this type that fit into semicircles, with an opening in the middle and a slightly distinctive side arm. The hem is tighter and the hem is a bit darker than its own blue. It fits on the waist in such a way that it takes on an hourglass shape from the bottom and has a delicate collar and my pants are complete.

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