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Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly Do not add any flare shape to the bottom. Make it like a pencil skirt structure that gets smaller as it gets to the bottom. Add fringes to the bottom and do not make it off the shoulder. Make the designs floral and make the sash structured and still and with no layers. Add a slight design to the sash but make it thicker and more stiff. Make everything look traditional Yoruba style. And absolutely no flare at the bottom, no mermaid structure at all. Make the fan look more traditional with a fan shape and use the same fabric as the dress Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly Do not add any flare shape to the bottom. Make it like a pencil skirt structure that gets smaller as it gets to the bottom. Add fringes to the bottom and do not make it off the shoulder. Make the designs floral and make the sash structured and still and with no layers. Add a slight design to the sash but make it thicker and more stiff. Make everything look traditional Yoruba style. And absolutely no flare at the bottom, no mermaid structure at all. Make the fan look more traditional with a fan shape and use the same fabric as the dress , cultural style, show front and back
cultural

Overall Concept Traditional Yoruba bridal gown in burnt■orange aso■oke, designed to feel regal, ceremonial, and highly structured. The look should be intentional and architectural, balancing rich embellishment with a refined, elongated silhouette. Silhouette • Fitted, floor■length gown with a clean, elongated line • Gradual tapering toward the hem (slightly slimmer as the dress approaches the bottom) • No flare or mermaid shape — controlled, elegant narrowing • Front and back must feel equally finished Fabric • Nigerian aso■oke • Subtle ceremonial sheen — woven, rich, not glossy or metallic • Fabric should hold structure and appear substantial Bodice & Neckline • Soft sweetheart or curved neckline • Fine floral embroidery at neckline and natural waist (do not remove) • Back features clean lace■up corset closure with light floral framing Sleeves • Long sleeves with pronounced flared cuffs • Flare is ceremonial but controlled — no softness or ruffles Hem Embellishment & Fringe • Floral embroidery band positioned just above the hem • Moderate density — refined, airy, evenly spaced • Florals visually connect directly into the fringe • Full fringe trim at hem in matching aso■oke, medium to long length Ipele (Sash) • Structured, single■layer ipele made from the same aso■oke as the dress • Very stiff and architectural — no drape or flow • Clean edges, ceremonial presence • Anchored firmly at the shoulder in traditional Yoruba bridal style Bridal Fan • Hand fan constructed from the same aso■oke fabric • Structured and ceremonial, not soft • Light floral detailing to coordinate with dress embroidery Overall Direction Traditional Yoruba bridal • regal • structured • intentional • balanced embellishment. Nothing soft, accidental, or overly Do not add any flare shape to the bottom. Make it like a pencil skirt structure that gets smaller as it gets to the bottom. Add fringes to the bottom and do not make it off the shoulder. Make the designs floral and make the sash structured and still and with no layers. Add a slight design to the sash but make it thicker and more stiff. Make everything look traditional Yoruba style. And absolutely no flare at the bottom, no mermaid structure at all. Make the fan look more traditional with a fan shape and use the same fabric as the dress

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Create a contemporary, fashion-forward **off-stage outfit for the wahine of Te Pariha o Hikurangi**, designed for **Te Matatini Number Ones and pōwhiri day**. The aesthetic is: **Modern Māori luxury × effortless fashion.** ## HERO PIECE — TIERED layered ruffle asymetrical MAXI SKIRT The skirt is the main feature. Design a **lightweight, breathable, flowing lower calf-length maxi skirt** with approximately **4–5 soft tiers**, beautiful movement and a flattering silhouette for different body types. Fabric will be of chiffon type. It should feel: * Feminine and elegant * Slightly romantic and sultry * Luxurious but practical * Light enough for warm weather * Comfortable and wearable beyond Te Matatini Use a **dark violet**, with subtle **muted mauve, dusty violet or deep tonal purple** Porourangi poutama designs all over the skirt fabric. ## CULTURAL DETAIL Incorporate a **subtle Hikurangi/Māori-inspired motif or design detail** into the skirt Keep the cultural design **minimal, sophisticated and intentional**. No excessive motifs or large logos. The cultural design would ultimately be subject to appropriate cultural review and approval. ## STYLING Pair with: **A simple fitted shirt** — cream, ivory or neutral, with a clean square neckline and minimal branding. **A pounamu tiki necklace. **A modern western/cowboy-inspired hat** — natural straw, black. Stylish and understated, referencing **East Coast/Tairāwhiti station culture**, not a costume cowboy look. **Minimal leather sandals** — Birkenstock-inspired, comfortable and neutral. ## OVERALL LOOK The finished outfit should feel: **Hikurangi • Tairāwhiti • whenua • whānau • wahine • strength • femininity • modern Māori identity.** Think **elevated contemporary fashion**, not traditional kapa haka costume, generic “Māori-inspired” fashion

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