DESIGN CONCEPT Modern Edwardian Split Riding Skirt — Liina Viira Interpretation Design Language: Nordic folk × Edwardian utility × rural craftsmanship Restrained, honest, tactile, seasonless This garment is not theatrical — it feels lived-in, inherited, and repaired with care. 1. SILHOUETTE — REFINED, QUIET, PRACTICAL Retains Edwardian split skirt riding pants construction Overall silhouette is columnar rather than flared Waist sits high but natural, not corseted Skirt illusion remains subtle — almost ambiguous Split is functional, not dramatic From a distance it reads as a skirt; in motion it reveals trousers. 2. STRUCTURAL DESIGN (LIINA VIIRA LOGIC) Panel Construction Fewer panels, larger pieces (traditional efficiency) Outer panels straight-grain, lightly flared Inner leg panels cut narrower for reduced bulk No unnecessary seams Split Front split starts lower than Edwardian versions Split edges reinforced with narrow facing No tassels or ornamentation at hem Length Full length or just above ankle Hem weighted slightly for drape 3. FABRICS — MATERIAL AS STORY Hand-feel cotton-linen or wool-linen blend Medium weight (220–260 gsm) Slight irregularity in weave encouraged Naturally dyed: Walnut brown Iron grey Lichen green Earth clay Metallic threads not used — surface interest comes from texture, not shine. 4. DETAILING — SUBTLE, MEANINGFUL Waistband Straight, clean waistband Height: 4.5–5 cm (lower than Anna Sui version) Closed with: Hand-sewn button Or internal tie system Embroidery (Minimal & Symbolic) Very sparse hand embroidery Placement: Inside waistband One small motif near hem or pocket Motifs: Protective symbols Cross-stitch inspired geometry Thread tone-on-tone Embroidery is for the wearer, not the viewer. 5. POCKETS — WORKWEAR HONESTY Deep side-seam pockets No leather trim Reinforced pocket mouth stitching Optional patch pocket inside waistband (hidden) 6. HEM & FINISHING Raw-edge hem or narrow hand-stitched hem Visible hand-stitching encouraged Optional repair-style stitching at stress points 7. MODERNIZATION FOR TODAY Gender-neutral sizing Elastic-back waistband option (hidden) Designed for layering Wearable with: Wool socks Work boots Soft leather flats 8. PATTERN PLAN (LIINA VIIRA APPROACH) Pattern Pieces 2 outer panels 2 inner leg panels 1 waistband 2 pocket bags Cutting Philosophy Maximize fabric usage Avoid waste Panels based on historic measurements rather than modern tailoring 9. STYLING INTENT Paired with: Hand-knit sweater Raw linen blouse Wrapped wool shawl The garment should feel: Quiet, resilient, inherited.

DESIGN CONCEPT Modern Edwardian Split Riding Skirt — Liina Viira Interpretation Design Language: Nordic folk × Edwardian utility × rural craftsmanship Restrained, honest, tactile, seasonless This garment is not theatrical — it feels lived-in, inherited, and repaired with care. 1. SILHOUETTE — REFINED, QUIET, PRACTICAL Retains Edwardian split skirt riding pants construction Overall silhouette is columnar rather than flared Waist sits high but natural, not corseted Skirt illusion remains subtle — almost ambiguous Split is functional, not dramatic From a distance it reads as a skirt; in motion it reveals trousers. 2. STRUCTURAL DESIGN (LIINA VIIRA LOGIC) Panel Construction Fewer panels, larger pieces (traditional efficiency) Outer panels straight-grain, lightly flared Inner leg panels cut narrower for reduced bulk No unnecessary seams Split Front split starts lower than Edwardian versions Split edges reinforced with narrow facing No tassels or ornamentation at hem Length Full length or just above ankle Hem weighted slightly for drape 3. FABRICS — MATERIAL AS STORY Hand-feel cotton-linen or wool-linen blend Medium weight (220–260 gsm) Slight irregularity in weave encouraged Naturally dyed: Walnut brown Iron grey Lichen green Earth clay Metallic threads not used — surface interest comes from texture, not shine. 4. DETAILING — SUBTLE, MEANINGFUL Waistband Straight, clean waistband Height: 4.5–5 cm (lower than Anna Sui version) Closed with: Hand-sewn button Or internal tie system Embroidery (Minimal & Symbolic) Very sparse hand embroidery Placement: Inside waistband One small motif near hem or pocket Motifs: Protective symbols Cross-stitch inspired geometry Thread tone-on-tone Embroidery is for the wearer, not the viewer. 5. POCKETS — WORKWEAR HONESTY Deep side-seam pockets No leather trim Reinforced pocket mouth stitching Optional patch pocket inside waistband (hidden) 6. HEM & FINISHING Raw-edge hem or narrow hand-stitched hem Visible hand-stitching encouraged Optional repair-style stitching at stress points 7. MODERNIZATION FOR TODAY Gender-neutral sizing Elastic-back waistband option (hidden) Designed for layering Wearable with: Wool socks Work boots Soft leather flats 8. PATTERN PLAN (LIINA VIIRA APPROACH) Pattern Pieces 2 outer panels 2 inner leg panels 1 waistband 2 pocket bags Cutting Philosophy Maximize fabric usage Avoid waste Panels based on historic measurements rather than modern tailoring 9. STYLING INTENT Paired with: Hand-knit sweater Raw linen blouse Wrapped wool shawl The garment should feel: Quiet, resilient, inherited. , folk style, show front and back